Do some readin’!

Hi, peeps–

Just wanted to pass along a groovy reading tip. I’m a little late to this party (this book was published in 1997), but I highly recommend Barbara Hambly‘s A Free Man of Color, which is a murder mystery set in 1833 New Orleans (right around Mardi Gras). This is the first in this series. The main character is Benjamin January (or Janvier, as the French and Creole New Orleans residents call him), a free man of color, whose stepfather freed him upon his death.


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Readin’ tip

Hi, kids. Back from my stint with the French Resistance. Now I have a bad accent, a removable goatee, a beret, and I like wine and cheese more than I did before.

Anyway, here’s a reading tip for you. I just finished a book by author/journalist Erik Larson. It’s his latest, titled In the Garden of Beasts: Love, Terror, and an American Family in Hitler’s Berlin, and it describes Nazi Germany during 1933-1934, when Hitler was still maneuvering to get more power. Hindenberg (the prez) was still alive, and Hitler’s position as Chancellor was still relatively new.


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Larson centers the story on the American ambassador to Germany, William Dodd, a history prof at the U of Chicago. Roosevelt sent him over (Dodd was not the first choice), and he and his family are immediately caught up in the rapid changes of German society as the Nazis increased their hold over many aspects of daily life, politics, and press. The anti-Semitic laws started slowly, but what’s fascinating here is that other countries were well aware of Hitler’s anti-Semitism, and well aware of his encroaching fanaticism but everyone played an appeasement game with him, operating under the assumption that beneath the fanaticism was a logical leader.

Therein was the mistake. Dodd was fiercely unpopular because he refused to play the diplomatic game and he was not fooled by Hitler — he didn’t live extravagantly, didn’t suffer fools lightly, and spoke frankly to Nazi officials (including Hitler) with whom he interacted. Nevertheless, the Roosevelt administration refused to acknowledge Dodd’s warnings about the rise of Hitler and the latter’s pushing Germany into a new war. When Dodd was relieved of his post and returned to the US, he spent time during the late 1930s working with an anti-Nazi propaganda organization and giving speeches all over the country about the dangers of Hitler’s Germany and the fact that Hitler was maneuvering to invade Czechoslovakia and other Eastern Bloc countries. In 1939, his warnings proved prescient, when Hitler invaded Poland and the world again descended into world war.

This is a superb look at how easy it is to insinuate a nationalistic, violent, and dangerous ideology into a country that is reeling from economic and social stresses. It starts slowly, with a few laws passed here and there outlawing certain things (like abortion, for example — the Nazis outlawed abortion among “Aryans”), and a collusion between corporate interests and government. Soon, the press is a tool of the government. And soon, certain classes of people are targeted as enemies of the state. And soon the disappearances of perceived political enemies begins, with government double-speak and obfuscation. And by the time you wake up and realize what’s happened, it’s too late.

Though this book is ostensibly a view into history, I found some creepy parallels with the current situation in the US. The collusion of corporate and government interests; the buying of elections; dismantling of unions and collective bargaining; cries against public education and federal aid; political candidates who trumpet a mean-spirited and exceptionalist agenda (“our way or the highway”; “we are called by God to do these things”, e.g.); a giant corporate news entity that touts a particular party and thus ideological line; the positioning of certain people as enemies of if not the state, the American way: LGBT people, immigrants, and Muslims in the current climate. That plus the wholesale mean-spiritedness of what passes today for press coverage mimics what passed for Nazi press 70 years ago.

Larson is a fabulous writer. I’ve read almost all his other stuff, and he injects a prescience into this story that really creeped me out. In addition, I didn’t know much about the diplomatic corps during Hitler’s rise to power, and learning about William Dodd — a man who was so, so right — was a real treat. It’s a fast read, and if you’re up for a little bit of comparison of historical eras, it might prove unsettling.

Happy (or at least, interesting) reading!

Sunday readin’ and watchin’ tip

Well, okay, it’s actually a Sunday readin’ tip and a Monday watchin’ tip.

Tomorrow (Monday) begins the new season of the detective show Rizzoli and Isles, on TNT. The show features Boston detective Jane Rizzoli and medical examiner Maura Isles. It’s a great buddy cop show, and actresses Angie Harmon (Rizzoli) and Sasha Alexander (Isles) have a really excellent rapport. Not since Cagney and Lacey have I been as thoroughly entertained by a chick buddy cop show as I am by this one.

So what’s in store for the new season? Here you go!

All rightie, here’s a cool thing, and feeds right into the “readin’ tip” aspect of this here blog. The series is based on books by author Tess Gerritsen. Now, don’t think that means the TV series follows the book series exactly. It doesn’t. The first in what could be called the loose “Rizzoli and Isles” series is Gerritsen’s The Surgeon (2001), in which Detective Jane Rizzoli is introduced, working with Thomas Moore. Boston-based, they’re trying to head off a serial killer who seems to have targeted a doctor who survived an attack by a serial killer elsewhere and two years earlier. Rizzoli is not the primary character in this book, but she is a strong secondary character.

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You’ll find Maura Isles introduced as a secondary character in one of her standalone medical thrillers, 2007’s Bone Garden as well as in the Rizzoli and Isles books.

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So what’s reading Gerritsen’s mysteries like? She’s dark. That is, it’s like reading Patricia Cornwell‘s brilliant first Scarpetta books. Grim but engaging, with accurate medical details because of Gerritsen’s own background — she’s a physician. The TV series has a dark edge, but you’ll find light touches of humor and family that maybe don’t get expressed as readily in the books. I like what TNT has done with Rizzoli’s character, and I like the softer edges of some of the episodes. With regard to the books, Gerritsen is a strong writer, employing excellent craft with an eye for character and dialogue. But it’s not light-hearted work, so if you’re expecting the TV show in book form, you will be disappointed. Instead, think of the TV show as a nice alt-universe for two strong Gerritsen women. Enjoy both books and TV show, for different reasons.

Happy reading, happy writing, happy watching!

Independence Day, U.S., and reading tips

Hi, folks–been kinda crazy here. Didn’t get to a zombie tip this week, but I DID watch the movie Zombieland again. Love Woody Harrelson’s character. You can tell he had a hell of a good time with that role.

At any rate, I know a lot of folks are doing the long weekend stay-cation thing (and maybe vacation, if you can afford it). But also keep in mind what this holiday’s all about. It ain’t about shopping, or buying new furniture, or retail sales. If you’ve got kids, remind them why we observe this holiday. It ain’t just a nice weekend to have a nice BBQ on.

I’ll help with that. Read on…

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JD Glass rocks! And she’s got a new project!

Hi, kids–

Detracting from my Saturday apocalyptic ramblings to let you know about a super-cool project from JD Glass, the ultra-cool and edgy writer of books like American Goth and Punk and Zen.
 

source: Bold Strokes Books

JD is a modern-day Renaissance woman. Not only does she write (she’s a 2006 Lambda Literary Awards finalist), but she’s also the lead singer in the band Life Underwater AND she’s an artist of the drawing variety. She’s also an EMT. See what I mean? JD is one of the hardest-working women in and out of showbiz, and probably one of the nicest people I’ve had the good fortune to meet. She’s also got a ragingly cool new project in the works.

If you’re not familiar with her writing, check out Punk and Zen, which is a great lead-in to her latest project, called Core, a rock n’ roll novella with the soul of a graphic novel and the heart of a garage band.

source: Outlines Press

I have this feeling that you’re going to want to check this out, because what it does is what a really cool DJ mix does: two seemingly disparate elements seamlessly fused together into one helluva performance reading experience. Reading and looking through Core is like going to see your fave punk band at New York’s CBGB back in the day, when you wore your leather biker jacket and your black Converse high-tops with your skinny jeans and ripped Ramones shirt and you freakin’ spazzed your head near the stage, screaming “I Wanna be Sedated” at the top of your lungs. It’s your favorite artsy postcards taped right next to your concert ticket stubs, a novella/scrapbook/picture book that I guarantee will make you dig in your closet for your Converse and Wayfarer shades.

You can pre-order your copy now, via PayPal.

And for those about to rock, I salute you!

Publishers “ignoring” lesbian writers

That’s according to a piece published today in the Washington Blade.

The article‘s author, Julie Enszer, notes that

While there is much to celebrate in queer literary culture, there is something to bemoan as well, particularly for lesbian writers and readers. The lack of attention by mainstream publishers to lesbian writing, particularly lesbian fiction, is appalling.

As it has for more than four decades, lesbian publishing is flourishing in small, often lesbian-owned, publishing houses like Bold Stroke Books, Bywater Books, and Naiad Press. These small publishers are vital and important to our literary culture, but they must operate in conjunction with mainstream publishing. By mainstream publishing I mean (generally) New York-based trade publishers, who market books to broad audiences and sell books through mainstream bookselling venues, now primarily big-box bookstores, but also locally owned booksellers. Mainstream publishing brings us Dan Brown, J.K. Rowling, and Stieg Larsson, but it is also brings us Rita Mae Brown, Jeannette Winterson and Emma Donoghue.
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Sadly, she’s right. Mainstream publishing in this country (Enszer notes that lesbian writers and subjects make major mainstream publishing houses quite a bit in the UK) does ignore lesbian fiction — especially genre fiction. There are a number of reasons for that. I’d argue that persistent homophobia is one; ignorance about the thriving lesbian publishing industry flying underneath the mainstream radar is another; and fears that the target audience for lesbian fiction (genre fiction) isn’t big enough to sustain a book starring lesbians. Sure, homophobia lingers, but ultimately, publishing is a business and they want profits. These publishers don’t think that a lesbian writer could make enough money for them to justify publishing her.

I think that the expansion of ebooks could change that, because large mainstream houses won’t have to worry about whether or not they can sell that minimum print run of 10,000 books. Ebooks might actually end up being an inroad for lesbian writers into mainstream publishing. It’s something I’m intrigued about, and I’m keeping an eye on it. Anyway, more food for thought.

Happy reading, happy writing!

H/T to some Facebook friends for posting this article link.

Fun reading

Hey, folks. If you get a chance, start reading Janet Evanovich‘s Stephanie Plum series.

Plum’s in Trenton, NJ (so get ready for a slew of Jersey references and jokes). She’s half-Italian, half-eastern European (not sure which country), and she’s one big lovable screw-up who ends up working as a bail bondsman for her cousin, Vinnie. With an uproarious cast of secondary characters like Lula, the prostitute-turned sober file clerk at Vinnie’s to Stephanie’s completely off-the-wall Grandma Mazur whose regular hobby is attending viewings, you will laugh out loud through every single one of these books.

From the second book, Two for the Dough (1996):

“They had a closed casket all right for Moogey Bues,” my grandmother said to my mother. “I got to see him anyway on account of the accident.”
My mother’s eyes opened wide in alarm. “Accident?”
I shrugged out of my jacket. “Grandma caught her sleeve on the lid, and the lid accidentally flew open.”
My mother raised her arms in appalled supplication. “All day I’ve had people calling and telling me about the gladioli. Now tomorrow I’ll have to hear about the lid.”
“He didn’t look so hot,” Grandma Mazur said. “I told Spiro that he did a good job, but it was pretty much a fib.”
Morelli was wearing a blazer over a black knit shirt. He took a seat, and his jacket swung wide, exposing the gun at his hip.”
“Nice piece!” Grandma said. “What is it? Is that a forty-five?”
“It’s a nine-millimeter.”
“Don’t suppose you’d let me see it,” Grandma said. “I’d sure like to get the feel of a gun like that.”
“NO!” everyone shouted in unison.
“I shot a chicken once,” Grandma explained to Morelli.
I could see Morelli searching for a reply. “Where did you shoot it?” he finally asked.
“In the gumpy. Shot it clear off.”
(pp. 63-64)


If you’re a writer of fiction, Evanovich’s characters and characterization often carry a lot of her narratives. Want to get a taste of what great characterization is? Read the Stephanie Plum series.

All rightie, happy reading and happy writing!

Print ain’t dead yet

That’s the news from the BEA — BookExpo America, a giant-ass convention/conference with tons of publishing and book vendors, filled with book freaks, books, and all things books and publishing.

Publishers Weekly notes:

Despite the way e-books dominated the publishing conversation over the past year, it was obvious from the moment one set foot on the volume-packed BEA show floor that the printed book is still very much at the center of the publishing industry.
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Check out that article, because it notes that the philosophy of booksellers and book publishers isn’t necessarily that electronic media will replace print, but rather that the two can complement each other.

Case in point. I purchased a Kindle for myself a few months back and what I decided is that it’s not quite like reading a book. It’s a different medium, and that doesn’t make it bad or good. It just makes it different. I appreciate the ease of taking my Kindle on a plane, and having it in my backpack when I’m out and about. I love the ease of downloading titles, and I really enjoy being able to “sample” a title before I buy it. I also like that I can buy things like The Federalist Papers, the Anti-Federalist Papers, Toqueville’s Democracy in America, and Harriet Jacobs’ Incidents in the Life of a Slave Girl for around a dollar.

I also like that I can try writers out for a couple bucks or less, though I would also like an option to “rent” ebooks, too. Hell, I rent movies on Netflix. Why not do the same for ebooks?

Anyway, I like the ease of having a bunch of classics right at my fingertips. But it’s not the same as taking a book to a coffee house, opening it, and reading it. And I still use my local library quite a bit, because I like that my tax dollars pay for books and I can go and check ’em out, read ’em, and take ’em back because I’m in an anti-clutter phase at the moment and I like that anybody can have access to books that way.

So no, I don’t think ebooks will replace print books. Not any time soon. But I do think they can complement each other, and I think that’s a great and wonderful thing for publishers, readers, and authors.

Happy reading, happy writing!

Oldies but Goodies

Hey, peeps–

Handy Sunday reading tip for you here: read books that are older than you. WAY older. Why? Because books are guideposts to history. Like art, they’re reflections of the historical contexts in which they were written. Authors are products of their historical contexts, as well, and of their cultural and geographical environments. Writers capture their surroundings, whether they write fiction or nonfiction, and through older books, you can get a snapshot of cultural and sociopolitical moments that play into larger trends and patterns.

So, given our current situation, with rampant corporate corruption and greed and how profit-driven mentalities can affect and hurt every one of us, have a look at Upton Sinclair’s The Jungle.

This is the 1906 cover:

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Upton Sinclair was a muckracking journalist, and spent time undercover in 1904 in Chicago’s meatpacking plants. The results of his investigation were first published in serial form in Appeal to Reason, a Socialist newspaper. [before you get all bent out of shape, check this definition of Socialism.] What he saw in the plants will turn many stomachs still — the unsanitary and horrible conditions in which American meat is butchered and packed. But Sinclair also revealed the horrific conditions in which the workers at these plants toiled, and the circumstances of their lives and the industries in which they worked that kept them virtually enslaved.

As a result of this book, sweeping changes were made to the meatpacking industry to safeguard the health and safety of consumers and workers (Food and Drug Act, anyone?). However, Sinclair also wanted to draw attention to American poverty, the treatment of immigrants, and how the lack of social programs hurt not only workers, but a wider array of Americans. This book demonstrates how corporate (and government) corruption and wage slavery damage the so-called American dream and the economic foundations of this country. Sinclair shined a light on the dark side of capitalism, and it’s not pretty. Unchecked corporate capitalism, he warns, benefits no one but the corporate and government elite. There is no “trickle-down.” There is only the haves, who keep getting more, and the have-nots, who keep getting screwed.

So read it and see if you notice any similarities between what’s going on now and what went on just over a hundred years ago. I think you’ll be surprised.

Happy reading, happy writing, happy thinking!