Cookin’ for charity with Dirt Road Books!

Hi, Friends —

I just wanted to give everyone a heads up on a cool charity project my fellow founder and colleague at Dirt Road Books put together.

It’s a small book of recipes based on the DRB first year’s newsletter, which included a new recipe every month. My colleague, author and chef R.G. Emanuelle, is in fact a trained chef and she developed several recipes for the newsletter based on seasonal events but also short stories by fellow DRB authors.

So you’ll get a couple of sexy drinkie recipes, a few main dishes, and some sides. There’s a rib recipe and a pickle recipe, for example, and for those of you who are BBQ aficionados, you know BBQ and pickles ARE A THING.

So here’s the thing. Every year, DRB tries to put a project together in time for the holidays that benefits a charity. A Year in the Kitchen with R.G. Emanuelle is this year’s project, and ALL PROCEEDS benefit the Oregon Food Bank. It’s $3.99 to pick up your ecopy, and hot damn, you’re doing awesome-ness in addition to a little bit of cooking.

A Year in the Kitchen with R.G. Emanuelle is a collection of recipes from the first year of newsletters fromDirt Road Books. It offers twelve delectable dishes, from hearty family fare to party take-alongs and fabulous cocktails. Some are seasonal fare while others are inspired by stories written by DRB authors. DRB is proud to donate all proceeds to Oregon Food Bank, which has partnered with agencies that provide spaces that make it easy for the LGBTQ community to access food.

Find it on Kindle, Kobo, Barnes and Noble, and other platforms.

Not only will you get some cool original recipes, but you’re helping a great charity out. Thanks and happy Monday!

BLOG TOUR! Author Louisa Kelley and a giveaway!

HI, frenz! So…Dirt Road Books just released author Louisa Kelley’s first book in the Shift series, Fianna the Gold, and I am hosting today’s stop on the Fianna tour!

It’s a F/F dragon shifter contemporary fantasy story set in the Pacific Northwest. Adventure! Romance! Suspense! Intrigue!

And did I mention DRAGONS?

And dragon SHIFTERS?

YEAH! ALL OF THAT! Below, find all kinds of cool Fianna stuff, including an excerpt AND the chance to win books!

So come on! Spend some time with Fianna!
Continue reading

Get your Boots and Hat! Audiobook now available! AND GIVEAWAY OMG

HAI, FRENZ!!! LOOK AT WHAT AUDIBLE DID WITH SOME BOOTS AND A HAT!

Women and Words

Hi, friends!

So, I’ve had this thing going on for the past few months. I’ve kept it under my hat (see what I did there) because I’ve been nervous about it and I’m kinda superstitious about some things, so I keep ’em under wraps until I feel like it’s time to talk about them.

It’s time.

I’ve been working with Audible to make two of my books available in audiobook.

And Audible just notified me that my novella, From the Boots Up and the sequel novel, From the Hat Down, are now available AS AN AUDIOBOOK! WOOO!

I AM SO STOKED! I totes did a happy dance (and I’ll probably do a few more) and now, I’m passing this info on to you.

They’re a twofer, y’all. That means you buy it and you get both. Or, if you’re an Audible subscriber, you’re gonna get both of these…

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5 basic tips for approaching a publisher

Hi, friends!

I thought I’d reprise some basic tips for approaching a publisher (since I am one).

I’ve talked a bit about this in the past, most recently, these 5 tips for finding a publisher that’s right for you. But let’s get down to some essentials.

So let’s say you’re interested in publishing a manuscript you’re working on and you decide to approach a house. Here are some tips to help you do that correctly.

1. Make sure your manuscript is finished. This may seem obvious, but it’s not to some writers, especially those who are just starting out. I get it. You’re working on a novel and you’re really excited about it and you want to get it published. BUT…

There’s an old saying: “Don’t put the cart before the horse.” What that means is, don’t do things in the wrong order because it’ll cost you time and effort at the very least.

Most publishers do not want to see a partially-written manuscript. Publishers don’t grant contracts on the basis of a chapter or two (unless you’re a long-established author). They may read the first few chapters, but they will only do that if the manuscript is complete and the query letter and synopsis piqued their interest and if the manuscript fits their lists.

So don’t send an email to a publisher saying you’re working on a manuscript and you have X words done. They don’t care. They want the COMPLETED project, not 10,000 words of a draft.

2. Do not ask a publisher to assess the first few chapters of your unfinished manuscript to “see if you’re on the right track.”

Time is money, people. You want someone to assess your work? That’s what editors do, and they’re professional and offering a service. So pay them. Or get some fab beta readers who are willing to work with you.

This scenario — asking me as a potential publisher to assess part of an unfinished manuscript — has happened to me more than a few times in the past and just so you know, it’ll get you tossed out the airlock at almost every house you try this. I’m an exception, because I’ll explain to you that this is not how you go about approaching a potential publisher and I’ll probably provide you some links to resources that tell you how to effectively approach a publisher with a submission. Then I’ll toss you out the airlock, but gently.

Unless you’re a dick in your approach. In which case, no resources for you. Just a “we do not consider unfinished manuscripts. If you’re looking for guidance, we recommend you consult with beta readers or hire a developmental editor,” and then we put your name in the “hell, no” forever file.

It is not a publisher’s job to assess your work or help you write your manuscript so they can publish it. That’s a developmental editor’s job, and you should hire one if you’re having trouble writing a manuscript. Or hire a writing coach. Or chat with your beta readers. Don’t have any? Get some. It’ll save you getting flung out a publishing airlock and/or being put in a “hell, no” file.

3. Put a professional query packet together so it’s ready to go. This includes your FINISHED manuscript; a query letter (no more than 2-3 paragraphs that includes your background, bio, and any other things you’ve written); brief synopsis (no more than about 250-300 words). And have a longer synopsis ready to go in case a publishing house requests one.

The key here is to look professional. You want a publisher to take you seriously? Then put together some serious materials that help a publisher get a sense of who you are and what your writing approach might be. Don’t forget to have a website for your writer self ready to go to include in your contact materials.

Caitlin Berve has some great info on query packets at Ignited Ink. You should go see.

4. Make sure you read the submissions guidelines THOROUGHLY and prepare your query packet and manuscript accordingly. If you don’t do that, a publisher will wonder what other instructions you ignore. Every publisher is different, so make sure you know what each one is looking for.

And with that in mind, make sure you send the right query packet to the correct publisher. This has happened to me more than a few times, too — I’ve gotten query letters addressed to someone at a totally different house.

Details are important, friends.

5. It’s okay to ask if you’re not sure about something in a publisher’s submissions requirements. It’s okay to send a quick email to ask for clarification. Be polite and get to the point immediately in that email. Don’t go on about the project you’re working on or your super-sexy query packet. Just ask your question, say please and thank you, and go about your business. And if the publisher doesn’t respond to that one little email, well…maybe you’ll want to approach other houses instead.

All right. Just remember, publishing is a business. Think of approaching them as if you were getting ready for a job interview. You want all your materials ready to go, and you want to present yourself as a fellow professional. Don’t give them reasons to think otherwise.

Happy writing!

Throwing props to the elders

Greetings, friends!

I’ve been thinking about age and the different social and political contexts different generations grow up in and I’m now of an age that usually requires younger people to mistrust me, view me with suspicion and/or frustration. Get the hell out of the way, old. It’s our time, now.

I remember being that age. But I also remember going into the activism trenches with a lot of people 10, 20, 30, 40 years older than I am. Some even older. They’d been around a while, and had seen a lot of shit, and they continued fighting, not only for themselves, but for youngs like me, and they shared their time, energy, resources, experience, and wisdom to do that.

I hadn’t gained the luxury of hindsight yet, but watching those older activists work, and their patience and fortitude in the midst of hell — I was lucky to have worked with them and to have learned from them.

It is possible to age in such a way that you remember who you are and who you were. I hope I’m doing this right, because I’m drawing a lot of strength and inspiration from younger people (and okay, maybe I’m proud that my generation is raising these young people I see as kindred spirits…ha!).

I’m reminded of a queer conference I attended soon after the 2016 elections. I went to an intergenerational panel, designed to foster discussion between olds and youngs. I came of age in the 80s, and I know the weight of political and social boots on your neck. I know the lack of resources and the lack of policies to support those of us who were marginalized then and who are marginalized now. I know that people have died in this fight, and they will continue to do so.

Some of what I fought for was the right to marry even though I figured I’d never see it and so it was never part of my personal world view.

But fuck, I wanted people growing up behind me to be able to have that right, to be able to make that choice if they wanted it. And I wanted younger people maybe never to experience the fear of expressing affection for their partners/spouses/baes in public. To just BE in public, in all the glorious, multitudinous ways queerdom expresses.

We’re not there, yet. We’ve made gains, but we’re not there yet, and all we’ve gained can be taken away. So my work’s not done.

My work also means that I’ve expanded my worldview, and educated myself, and my fight now is for all marginalized people caught in systems of oppression, to hopefully use the privileges I have to do whatever the hell I can.

The work is never done, and I see that now, at this age.

I listened to all those young people in that discussion expressing their fears about that 2016 election, and their uncertainties about what would happen, and what it meant.

I said that we’d been here before. We’d been facing opposition for decades, and we will continue to face it going forward, but, I said, a lot of us olds have organized, created space, fought shitty policies, and changed hearts and minds. We can do it again. I also said that I wasn’t going to sugarcoat things, because it’s bad, and it’s going to get worse, but they all had backup. I said this is, sadly, your time. You’re first string, now, but the cool thing is, people like me are on the bench and we have your backs. I’ll offer whatever wisdom I’ve acquired, whatever tips I can share that might be adapted to these times, whatever support I can. We’ll do this together.

And I will go into the trenches again with these new generations. I don’t know how not to do that, and I wonder if those older people who continued their activism when I was so much younger had that same realization.

They said the work is never done, but there was so much life in their eyes, and so many stories, and such strength in their smiles. There is beauty in a life lived in service to the work and to others, whether those others are alive, gone, or not yet among us. There is beauty in finding joy, love, and comradeship even in the worst of times. Working alongside those older people taught me that.

And I hope I can be as cool an old as they were, and that I know some of them still are.

Sacchi Green Blog Tour – Andi Marquette

HI, all!

So I’m super-stoked to be a host on this here awesome blog tour for the one and only Lambda-winning Sacchi Green! Dirt Road Books just released her latest collection of F/F short stories (full disclosure: I am a co-founder and co-owner of DRB) and we’re all extremely excited about this anthology, and we think you will be, too. It spans historical eras, themes, and deals with narrative and characterization as only Sacchi can. Continue reading

5 tips for finding a publisher that’s right for you

Hello, friends!

I thought this week I’d chat a bit about finding a publisher (if you decide to go that route rather than self-publish) and pass along some tips for doing so.

“Look! Yonder! A potential publishing house!”

I’ve been on both sides of this fence in that I spent a few years as an acquiring editor at a “mainstream” house. I’m also operating in that capacity at my own publishing venture, Dirt Road Books.

But I’m also a published author, and I, too, have had to deal with finding a publisher for my work.

Newsflash: I have indeed been rejected by publishing houses. In the F/F publishing world, I’ve been rejected by three.

I’ll talk a bit about rejection in the publishing world in a future blog. What you need to know now about it is that it happens to everyone and don’t take it as a personal rejection of you. That’s something you need to acquire in a writing life, is a very thick skin.

Before I get into this, my years as an acquiring editor and gate-keeping editor, essentially, allowed me to learn a whole lot about different publishing houses, something I made sure to do so that I could send an author to a house whose list was a better match for their manuscript. I continue that practice today, and I also try to offer some constructive critique to authors about their projects.

Newsflash two: this is not the norm. Most rejections from publishing houses are short and to the point: “sorry, we’re not pursuing this project kthxbai.”

I’m an exception, though I know there are other acquiring editors out there who try to take a few extra minutes to offer something to an author beyond that, but when your inbox is overflowing with submissions and submission queries and you’ve got other business to deal with, I understand where they’re coming from.

So you’ve got your novel written, beta-read, re-written, edited, cleaned up, and ready to go. YAY, you! You’re interested in working with a traditional publisher, so now it’s time to go forth and find one. Continue reading

Mistakes Were Made: On editing, proofing, and why errors get through

GREETINGS, fellow travelers.

I was talking with my colleague, fellow writer/editor/publisher R.G. Emanuelle this morning (and if you have not read her work, her latest is an awesome F/F gothic thriller/mystery).

R.G. and I are co-founders and co-owners of publishing venture Dirt Road Books. We and 4 other authors got together and launched it in 2017. R.G. and I come from traditional publishing back in the day; collectively, we have over 40 years of experience in publishing (omg dinosaurs roaming the earth).

Both of us worked with publishing houses before ebooks, way before the availability of platforms as we know them now, so we’ve been editing and proofing manuscripts in various formats for a while.

Today we were talking about typos and errors that sneak into the final product, and I thought I would offer some thoughts about how and why that happens, and I’ll do a comparison of old-school vs. new-school processes in publishing a manuscript.

Also, it might be valuable for readers who don’t have a background in publishing or editing to understand the amount of work that goes into a manuscript, whether its format is print or ebook, so you understand why books are priced the way they are. Sure, you can say that “ebooks should be priced even lower than they currently are because they’re just electronic files,” but the fact is, the manuscript behind that ebook went through an ass-load of work before it got ebooked. You wouldn’t do a ton of work on contract for a pittance, would you? Or for free? Well, there you go. Just something else to ponder.

Anyway, let’s break this down. Continue reading