I’m working on several see-krit projects at the moment. A not see-krit project is the fanfic I’m doing over at Archive of Our Own. It’s a Clexa piece, and it’s over 180K words, now. Still going. Basically, I rebooted season 3. You’re welcome. 😀
Anyway! Here are some writing tips just for you, in a few different (oldies but goodies) blogs that I wrote. I still get requests for these, so here they are again:
Happy Friday n’ all a’ that. Oh, and don’t forget to turn your clocks forward this weekend, if you’re in a place that does that whole Daylight Savings Time thing. If you’re not, well, stay asleep.
ANYWAY. Let us discuss some promotional tips. Please start with this blog by fab spec fic author Delilah Dawson titled “Please shut up: Why self-promotion as an author doesn’t work.”
And then, after you get pissed at her, read the follow-up, “Wait, Keep Talking: Author Self-Promotion that Actually Works.”
Okay. The point of Dawson’s first post was to get you thinking about how you go about promoting your work. Everybody knows you have to do some kind of promotion. But there are good ways to do it and not-so-good ways. Dawson lays out the not-so-good ways in the first post. And then she lays out the better ways in the second.
I like to think of self-promotion as “not being a jerk” and I already subscribed to Dawson’s approach before I actually read her blogs. So here’s a list of 10 things I recommend, culled from my own experience and Dawson’s advice, with regard to self-promotion as an author.
Geez, WTF, Andi? It’s been, like, forever and a day and all kinds of THE THINGS happened and where the hell were you and just what are you doing?
I know. Straight up, I’ve been FB’ing incessantly about the Women’s World Cup (OMG YAY TEAM USA) and writing for deadlines and then there was the amazing historical BOOM when marriage equality was ruled the law of this great land and then there was a horrific tragedy and then all kinds of crazy over certain flags. I decided much wiser heads than I can address those two latter issues, and I still haven’t quite been able to wrap my head around the whole marriage equality thing.
At some point, I will blog that, because I’m coming from a perspective of believing that I probably wouldn’t see it in my lifetime or if I did, I’d be in my 60s or 70s. This perspective, I think, causes a fatalistic outlook on relationships. Marriage was something I thought I could never have, so I never planned for it. I educated myself about the issues, worked to advance them as I could, but I never thought it would be something that I myself could enjoy.
And that leaves its own kinds of scars. Which I will discuss later, as I ponder more.
In the meantime, I wanted to discuss something else. Specifically, what repercussions marriage equality may have on genre fiction.
I wonder this because yesterday at Women and Words, we posted a blog by New York Times bestselling romance author Melissa Foster, who just released a new book in her Harborside Nights series that features a lesbian main character and this character’s love for another woman.
Foster predominantly writes heterosexual romance, and this is her first F/F. As she notes in the blog she did at WaW, she got a little bit of blowback from her writer colleagues.
I heard that George Michael song the other day during a throwback radio show. You know the one. “Faith.”
And I got to thinking about that. There are many kinds of “faith.” Faith in yourself. Faith in your friends. Faith in your family. Faith that you’ll get that big promotion. Faith that things will work out. And, of course, the kind of faith that too often gets grafted onto religion.
I say this because a few days back, someone asked me if I go to church. I immediately froze, because I’m not comfortable with questions like that. The person proceeded to tell me that I’d probably feel better if I prayed. Which only made me even more uncomfortable.
Why? Because it’s presumptuous to think that everybody thinks like you do. And it’s presumptuous to think that your way of coping with something (i.e. religion) is for everybody. I try to be mellow about statements like this, because I’m sure the statements come from good intent. But nonetheless, it comes off as patronizing and, honestly, proselytizing. And yes, I have an uneasy relationship with organized religion, given my current go ’round on this planet as a woman and as someone who identifies as not straight.
And before you ask, I’m one of THOSE people who tends not to discuss religion publicly. I will occasionally discuss politics, but when it comes to religion, I just don’t go there. Why? Well, because I consider religious and spiritual beliefs to be a personal matter, so I don’t ever ask people what theirs are nor do I offer anything about mine. If someone asks, we can discuss it privately. Otherwise, it’s not something I address and it’s never something I ask people.
I decided — after some comments (some cranky; others not so much) I got regarding my decision to reboot my first mystery, Land of Entrapment — that it might be a good idea to explain what a new edition is and why some authors decide to do it.
There are many reasons authors come to these decisions. We don’t wake up one day and decide, “Oh! I’m going to re-do one of my earlier works and re-issue it! Won’t that be fun?” Because not. It’s not fun. I mean, some of it is. But for the most part, it’s stressful and time-consuming and the longer the book stays off the market, the less opportunity there is for readers to read it. And authors never make this decision to piss people off. Trust me on this.
So let’s chat about some of the reasons authors decide to create a new edition of an earlier work.
By now some of you are no doubt lamenting the Super Bowl. Others are celebrating. And still others are thinking, “Oh, the Super Bowl was on? Huh.”
And then there are many others who have been working on writing projects. Some of you may actually have FINISHED a project! Glory! Hallelujah! So…what now?
There are actually any number of things to do when you complete a manuscript, but the point here is to start with a basic list and then you tailor it to your own specs and hopefully, you’ll then have this little ingrained checklist in your skull that becomes some kind of sick ritualized habit that you engage in when you finish a manuscript. Heh. That’s the idea, friends! Start making good habits now, so you incorporate them into your world.
Okay. So you finished your story/novel! GO, YOU! How much awesome are you carrying around because of that? LOTS! Go ahead and pour yourself a tall glass of awesome juice, because you earned it. So what now? Short of posting your glorious news all over social media?
Well, kids, it’s that time of year again. When we start thinking about getting our taxes together for THE MAN. Or WOMAN. Whichever IRS agent has a look at your stuff.
I know. Wow, what an exciting topic. Unfortunately, it’s a reality and it’s one that self-employed folks (and most writers are indeed self-employed) have to deal with all the time. And by now, you’ve probably noticed all the tax commercials showing up on your networks. You know the ones. TurboTax and H&R Block are already at it, as those icky reminders to get your tax on. Or off, which is what deductions are all about.
For those of you living overseas in countries whose governments take care of all of this for you (and they just send you a statement saying how much you paid in taxes), I can only dream of such ease. Here in the States, every citizen is required to put together his or her own tax/income portfolio between January 1 and April 15 of each year. That means you report your income and all kinds of other things to the federal government as well as to the state’s government where you live. Some states do not have what’s called a “state income tax” while others do.
Included in this process are things we here in the States “write off” each year. That is, expenses we incurred with regard to specific situations that relate to businesses or other things (like tax deductible donations, e.g.). In my case, I have to keep track of all my expenses as a writer, since that’s a “self-employed” position and my income is what I earn in royalties. So I keep files of receipts and royalty statements. Lots of receipts, since anything I buy and use in the furtherance/maintenance/development of my work as a writer is something I report to the IRS.
And yes, royalties are taxable. So if you write, you need to keep track of those. If you’re working with a traditional house, those houses will send you a form with your total earnings for the year so you can report that. If you’re self-published, you need to make sure you keep track of your earnings because that’s reportable and taxable.
Some of the things I report as deductions are:
writing conferences (registration, travel to and from, hotels, meals if applicable)
promotional materials/advertising for my books and blogs
internet (because without that, I definitely would not be able to work as a writer in today’s world)
mobile phone, which I use quite a bit for business
office space (you may be able to deduct your home office)
shipping costs for books and promotional materials
writing association fees
computer equipment (last year I deducted my new printer)
editing, typesetting, and covers for my books
expenses I incur as an editor (yes, money I make from that is also taxable), like my subscription to Chicago Manual of Style
So I keep track of all of this during the year. Yes, it’s a pain in the ass. But if you keep things organized during the year, it’s not that big a deal to get it all put together to send off to either the IRS (with the proper forms) or your accountant. I have one of those, so I put my stuff together for the accountant which for me is a lot less stressful than having to do my taxes myself. Yes, it costs. But it’s worth it for my peace of mind.
So readers, in case you wondered, everything a writer makes in terms of sales is taxable, which means the government can take a chunk of it. So no, writing does not give anybody “free money.” It’s income. And therefore taxable. For writers who are just starting out, keep this in mind and start getting organized with regard to your expenses and earnings. Regardless of whether you’re publishing through a traditional house or doing it indie (or both), your royalties are taxable, depending on how much you make from them.
To help you get a handle on what you can deduct as a writer, try these links: