I tend to think a lot about process and the little things that go into working on a project and yeah, the overarching philosophy behind the act of writing.
I mean, obviously, if you’re writing a novel, you probably have the ultimate goal of being published. Let’s assume that’s the goal, anyway and let’s focus here on writing novels/fiction.
Writers don’t write just to get published. If that’s the only reason you’re doing it, re-assess. Write because you love it, because you can’t NOT write, because if you didn’t your soul would wither into a desiccated carcass, left to bake on the salt flats of your future.
So with that in mind, I’m here to disavow you of some notions because writing a draft of a novel isn’t just hammering something out and then you’re ready to go get it published (and then make ass-loads of money). Continue reading →
ANYWAY! Thought I’d get back into the groove here with some more blogging. Not that I haven’t been blogging/writing/podcasting, It’s just that I’ve kind of left my website all by itself and that ain’t right!
Okay. So I thought I’d bring some things up for y’all to think about — ESPECIALLY if you’re an unpublished author looking to be published and get your debut novel out there for the world to see. Continue reading →
So here we are in a new year and I know for a fact that bunches of you are working on manuscripts and once you’re done with your draft, you’re going to hopefully get it submission-ready. That is, you’re going to prep it in hopes that a publisher will think it’s awesome and sexy.
First things first. Not all houses accept a full manuscript for a read. They might just want the first few chapters. Or maybe the first few chapters and the last few. That’s fine. The point is, if you have a full manuscript that’s ready to go, you can easily extract the chapters or first 50 pages or whatever it is the potential publisher may want to see. And you want those to be clean and ready for viewing. So here are 10 things you can do to help you get it that way.
I’m working on several see-krit projects at the moment. A not see-krit project is the fanfic I’m doing over at Archive of Our Own. It’s a Clexa piece, and it’s over 180K words, now. Still going. Basically, I rebooted season 3. You’re welcome. 😀
Anyway! Here are some writing tips just for you, in a few different (oldies but goodies) blogs that I wrote. I still get requests for these, so here they are again:
Hi, all! I just finished up a short (for me) novel and I’m getting it ready to send to a potential publisher. While I’m pondering that, I thought I’d do a round-up of hopefully helpful posts I’ve done that will provide some helpful info for those of you racing around writing.
So a couple of folks expressed interest in how to write an effective opener for a novel.
To which I say, “good luck.”
And then I supply links LIKE THIS, which have the alleged “100 best first lines from novels”, posted by the American Book Review site. I must say, Iain M. Banks’ line from The Crow Road is a grabber: “It was the day my grandmother exploded.”
Hit that link at Amazon and you’ll be able to read the first few pages to determine what that’s about.
At any rate, what makes a great opening line? Well, I’d say that’s a topic up for debate, depending on a reader’s taste. But overall, let’s try to dissect what makes a great first line in terms of writing craft. Here are five things to think about.
By now some of you are no doubt lamenting the Super Bowl. Others are celebrating. And still others are thinking, “Oh, the Super Bowl was on? Huh.”
And then there are many others who have been working on writing projects. Some of you may actually have FINISHED a project! Glory! Hallelujah! So…what now?
There are actually any number of things to do when you complete a manuscript, but the point here is to start with a basic list and then you tailor it to your own specs and hopefully, you’ll then have this little ingrained checklist in your skull that becomes some kind of sick ritualized habit that you engage in when you finish a manuscript. Heh. That’s the idea, friends! Start making good habits now, so you incorporate them into your world.
Okay. So you finished your story/novel! GO, YOU! How much awesome are you carrying around because of that? LOTS! Go ahead and pour yourself a tall glass of awesome juice, because you earned it. So what now? Short of posting your glorious news all over social media?
I do hope that 2015 has started off awesomely for you. And before you ask, no. I don’t make “resolutions” in the classic sense. Rather, I have “schedules.” That is, things I will be working on, and those usually involve making adjustments to my daily regimens and organizing writing and editing projects.
At any rate, this year I’m going to be doing some writing in genres that I’m not known for (including paranormal). I think it’s important to stretch as a writer, and try new things in order to get a sense of how your style and voice work across genres and what kinds of adjustments to make to write effectively no matter what you’re working on.
I’ve also got a lot of other writing things I’m up to, including romance and sci fi and I’m working on New Mexico things. So don’t worry. You’ll see things from me this year, too. 🙂
And speaking of working, I’ve been reading some “how to” and “how not to” books because I like to check in on my own techniques and continue working on my craft. I recently read this gem of irreverence, called How Not to Write a Novel, by Sandra Newman and Howard Mittelmark, both writers.
The book is indeed filled with 200 examples of bad writing in an attempt to get other authors thinking about what constitutes bad writing and how to recognize it. The examples are often raunchy, hilarious, and in some cases NOT SAFE FOR WORK. So you probably don’t want to share this with teens or ‘tweens.
From the book’s website (linked above):
Many writing books offer sound advice on how to write well. This is not one of those books. On the contrary, this is a collection of terrible, awkward, and laughably unreadable excerpts that will teach you what to avoid at all costs if you ever want your novel published.
The book walks you through things not to do when you’re setting up your plots, writing characters, dealing with perspective and voice, learning about mechanics, and world-building. The examples can be over-the-top, yes, but the authors will tell you after the bad writing what’s wrong and why it doesn’t work (readers might also find the book interesting because it’ll get you thinking about the parts of a book and why some things work and why they don’t).
From the book’s intro (which will give you a sense of the approach):
We do not presume to tell you how or what to write. We are merely telling you the things that editors are too busy rejecting your novel to tell you themselves, pointing out the mistakes they recognize instantly because they see them again and again in novels they do not buy.
We do not propose any rules; we offer observations. ‘No right on red’ is a rule. ‘Driving at high speed toward a brick wall usually ends badly’ is an observation.
Hundreds of unpublished and unpublishable novels have passed across our desks, so we have been standing here by the side of the road for a very long time. Had you been standing here with us, you would have seen the same preventable tragedies occurring over and over, and you would have made the same observations.
Do not think of us as traffic cops, or even driving instructors. Think of us instead as your onboard navigation system, available day or night a friendly voice to turn to whenever you look up, lost and afraid, and think ‘How the fuck did I end up here?’
Sometimes, dear writers, you need to see what absolutely does not work to get a sense of what to look for in your own writing. Most (if not all) of the examples in this book I have done, the vast majority when I was just starting out as a fiction writer.
Part of developing as a writer is finding your own voice and style within the rubric of solid writing craft. And that involves comparing all kinds of writing as you’re working to figure out who you are as a writer. Which is why I think having really bad examples can be helpful, along with the reasons that the writing is “bad.” You’ll also find tips in this guide that hopefully help you fix the bad so you can apply them in your own manuscripts.
So writers, if you’re looking for a funny and useful guide to hone your writing skills, give this a look (here’s the Amazon link; more purchasing links at the site). If you’re a beginning writer pounding away on your first novel, definitely give this book a spin. And if you’re a reader curious about what bad writing might look like and how writers might address it, you might enjoy this, too.
So let’s get crackin’ this new year and hit the manuscripts!
I’ve been working on a scene in my latest romance that’s been really difficult for me to write. Why?
BECAUSE IT’S GOT SEX IN IT.
Now, before you freak out and think I’m all kinda prudey or something, chill, friends. Not the case. The sitch is, writing sex scenes is difficult. Let me amend that. Writing GOOD sex scenes is difficult. Or perhaps I might even mean EFFECTIVE sex scenes.
And this scene has been a pain to work on because it involves a lot more than just a “do me now” kind of scenario. These characters have a history, and it’s a hell of a lot more than just sex that’s involved in this scene. There’s a lot of emotional stuff going on, and some unpacking of baggage. Not all sex, obviously, is like that in romance or erotica. Which got me thinking about the different types of sex scenes and how to approach them as a writer.