5 basic tips for approaching a publisher

Hi, friends!

I thought I’d reprise some basic tips for approaching a publisher (since I am one).

I’ve talked a bit about this in the past, most recently, these 5 tips for finding a publisher that’s right for you. But let’s get down to some essentials.

So let’s say you’re interested in publishing a manuscript you’re working on and you decide to approach a house. Here are some tips to help you do that correctly.

1. Make sure your manuscript is finished. This may seem obvious, but it’s not to some writers, especially those who are just starting out. I get it. You’re working on a novel and you’re really excited about it and you want to get it published. BUT…

There’s an old saying: “Don’t put the cart before the horse.” What that means is, don’t do things in the wrong order because it’ll cost you time and effort at the very least.

Most publishers do not want to see a partially-written manuscript. Publishers don’t grant contracts on the basis of a chapter or two (unless you’re a long-established author). They may read the first few chapters, but they will only do that if the manuscript is complete and the query letter and synopsis piqued their interest and if the manuscript fits their lists.

So don’t send an email to a publisher saying you’re working on a manuscript and you have X words done. They don’t care. They want the COMPLETED project, not 10,000 words of a draft.

2. Do not ask a publisher to assess the first few chapters of your unfinished manuscript to “see if you’re on the right track.”

Time is money, people. You want someone to assess your work? That’s what editors do, and they’re professional and offering a service. So pay them. Or get some fab beta readers who are willing to work with you.

This scenario — asking me as a potential publisher to assess part of an unfinished manuscript — has happened to me more than a few times in the past and just so you know, it’ll get you tossed out the airlock at almost every house you try this. I’m an exception, because I’ll explain to you that this is not how you go about approaching a potential publisher and I’ll probably provide you some links to resources that tell you how to effectively approach a publisher with a submission. Then I’ll toss you out the airlock, but gently.

Unless you’re a dick in your approach. In which case, no resources for you. Just a “we do not consider unfinished manuscripts. If you’re looking for guidance, we recommend you consult with beta readers or hire a developmental editor,” and then we put your name in the “hell, no” forever file.

It is not a publisher’s job to assess your work or help you write your manuscript so they can publish it. That’s a developmental editor’s job, and you should hire one if you’re having trouble writing a manuscript. Or hire a writing coach. Or chat with your beta readers. Don’t have any? Get some. It’ll save you getting flung out a publishing airlock and/or being put in a “hell, no” file.

3. Put a professional query packet together so it’s ready to go. This includes your FINISHED manuscript; a query letter (no more than 2-3 paragraphs that includes your background, bio, and any other things you’ve written); brief synopsis (no more than about 250-300 words). And have a longer synopsis ready to go in case a publishing house requests one.

The key here is to look professional. You want a publisher to take you seriously? Then put together some serious materials that help a publisher get a sense of who you are and what your writing approach might be. Don’t forget to have a website for your writer self ready to go to include in your contact materials.

Caitlin Berve has some great info on query packets at Ignited Ink. You should go see.

4. Make sure you read the submissions guidelines THOROUGHLY and prepare your query packet and manuscript accordingly. If you don’t do that, a publisher will wonder what other instructions you ignore. Every publisher is different, so make sure you know what each one is looking for.

And with that in mind, make sure you send the right query packet to the correct publisher. This has happened to me more than a few times, too — I’ve gotten query letters addressed to someone at a totally different house.

Details are important, friends.

5. It’s okay to ask if you’re not sure about something in a publisher’s submissions requirements. It’s okay to send a quick email to ask for clarification. Be polite and get to the point immediately in that email. Don’t go on about the project you’re working on or your super-sexy query packet. Just ask your question, say please and thank you, and go about your business. And if the publisher doesn’t respond to that one little email, well…maybe you’ll want to approach other houses instead.

All right. Just remember, publishing is a business. Think of approaching them as if you were getting ready for a job interview. You want all your materials ready to go, and you want to present yourself as a fellow professional. Don’t give them reasons to think otherwise.

Happy writing!

5 tips for finding a publisher that’s right for you

Hello, friends!

I thought this week I’d chat a bit about finding a publisher (if you decide to go that route rather than self-publish) and pass along some tips for doing so.

“Look! Yonder! A potential publishing house!”

I’ve been on both sides of this fence in that I spent a few years as an acquiring editor at a “mainstream” house. I’m also operating in that capacity at my own publishing venture, Dirt Road Books.

But I’m also a published author, and I, too, have had to deal with finding a publisher for my work.

Newsflash: I have indeed been rejected by publishing houses. In the F/F publishing world, I’ve been rejected by three.

I’ll talk a bit about rejection in the publishing world in a future blog. What you need to know now about it is that it happens to everyone and don’t take it as a personal rejection of you. That’s something you need to acquire in a writing life, is a very thick skin.

Before I get into this, my years as an acquiring editor and gate-keeping editor, essentially, allowed me to learn a whole lot about different publishing houses, something I made sure to do so that I could send an author to a house whose list was a better match for their manuscript. I continue that practice today, and I also try to offer some constructive critique to authors about their projects.

Newsflash two: this is not the norm. Most rejections from publishing houses are short and to the point: “sorry, we’re not pursuing this project kthxbai.”

I’m an exception, though I know there are other acquiring editors out there who try to take a few extra minutes to offer something to an author beyond that, but when your inbox is overflowing with submissions and submission queries and you’ve got other business to deal with, I understand where they’re coming from.

So you’ve got your novel written, beta-read, re-written, edited, cleaned up, and ready to go. YAY, you! You’re interested in working with a traditional publisher, so now it’s time to go forth and find one. Continue reading

So you’re writing a novel. 5 things to think about.

Hi, friends!

I tend to think a lot about process and the little things that go into working on a project and yeah, the overarching philosophy behind the act of writing.

I mean, obviously, if you’re writing a novel, you probably have the ultimate goal of being published. Let’s assume that’s the goal, anyway and let’s focus here on writing novels/fiction.

BUT.

Writers don’t write just to get published. If that’s the only reason you’re doing it, re-assess. Write because you love it, because you can’t NOT write, because if you didn’t your soul would wither into a desiccated carcass, left to bake on the salt flats of your future.

So with that in mind, I’m here to disavow you of some notions because writing a draft of a novel isn’t just hammering something out and then you’re ready to go get it published (and then make ass-loads of money).
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So you want to be a published author: 5 things to think about first

Hi, friends!

New year, new…whatever.

ANYWAY! Thought I’d get back into the groove here with some more blogging. Not that I haven’t been blogging/writing/podcasting, It’s just that I’ve kind of left my website all by itself and that ain’t right!

Okay. So I thought I’d bring some things up for y’all to think about — ESPECIALLY if you’re an unpublished author looking to be published and get your debut novel out there for the world to see. Continue reading

Tips for Newbies

HI, kids!

Ermahgerd. I’ve been crazy busy over at Women and Words, the other place where I blog and admin and carry on. We’ve started a Women and Words podcast, which is me and my co-admin, author Jove Belle, chatting about the week’s crazy/fun and other things related to writing, editing, publishing of interest to LGBT writers and readers. We hope.

You can find us AT THIS LINK RIGHT HERE (or, the Lesbian Talk Show).

I also just finished up a novella that’s in editing AND I’m getting ready to go through the edits of another project AND my colleague R.G. Emanuelle and I JUST RELEASED our second anthology of food-themed romance and erotica (F/F). It’s called Order Up: A Menu of Lesbian Romance & Erotica. Our first food-themed anthology, All You Can Eat: A Buffet of Lesbian Romance and Erotica, was a Lambda finalist last year. Hope you check those out. Heh.

And now, onto the business of this blog. I got to thinking about this because I’ve been working with some new writers, and I thought some quick n’ dirty tips might prove useful to those of you who are on the cusp of publication or have JUST published something If so, GO, YOU! And if that’s the case, then you need to…

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Crisis of Faith (in writing)

Greetings, peeperas y peeperos!

I hope this past weekend was awesome for you.

Me, I’ve been having deep thoughts all over the place, like these over at Women and Words.

And the ones I’ll be revealing here. Don’t freak out when you start reading. Read the whole thing. There’s an HEA.

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Andi’s 10 reasons you should totally go to writing conferences

Hi, all!

Holy outta control calendars, Batman! It’s been a crazy two weeks but here I am with some MOAR TIPS!

As some of you know, I attended the Golden Crown Literary Society (GCLS) conference in New Orleans toward the end of July. I try to go every year (though I have missed a couple since I started publishing) because literary/writing conferences provide invaluable opportunities for both writers and readers.

For those of you who are writers just starting out, make the time and save the money to attend at least one conference a year. Gatherings like that are invaluable aspects of your writing career. For those of you who have been at this a while, you might already know that you need to attend writing conferences. If you didn’t know that, well, here’s why:

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The lull between the storms

Hi, peeps!

Been cray-zee bizzy. You may have noticed. Heh.

I’m currently in that awkward place between projects. Kind of. I’ve published a novel this year, just released an anthology I co-edited (in which I have a story), and had 2 other stories selected for publication in 2 other anthologies. I’m also waiting to hear on whether another story I wrote is selected for a different anthology.

I am working on the fourth installment of my space opera series (I’m about halfway through) and I’m doing a bit of research on the fifth in my mystery series, so I am working on some long-term things, but I’ve just about finished up a whole bunch of things that I wanted to this year. And that feels pretty good.

Having said that, I am trying to hammer out another story this month for yet another anthology, but I’m not sure I’m going to make the deadline. If not, I’m not going to freak out about it because it’s not like I haven’t done any other writing this year.

In terms of my writing life, it generally cycles between completely slammed and these stretches where I’m not pressed to do a whole lot. I like these lulls. I still write during them, but I don’t feel the frantic OMG I HAVE TO GET THIS DONE HOLY SHIT SOMEBODY HOOK ME UP TO A RED BULL IV that can accompany my slammed periods. I also use the lulls to ponder writing projects that aren’t related to what I’m currently working on, and that’s always fun, to think about all different characters. I think that might be why I’ve written a lot more shorter stories this year than in years past. I wanted to hang out with some different characters and see what sorts of things could unspool in the narratives.

I do that, too, if one of my long-term projects is giving me some issues and I haven’t figured out how to write/re-write it to fix it. I’ll write something else — usually a short story or novella-length thing — and that helps loosen the logjam in the other project. There are times, too, that I’ve completely scrapped a project and started over from scratch. I don’t know any author who hasn’t had to do that, so if you’re in the middle of that, don’t freak. It’s normal.

So here. 5 things I do that help with the writing cray-zee.

1. Don’t force it. If a project you’re working on is just not working out, stop working on that one. Work on something else. If even that isn’t working, it’s a sign that you may need to take a couple days off (or more) from writing. In which case…

2. Read. Yeah, you heard me. Go read somebody else’s book. When I’m not feeling it, I read. And I generally read a genre that is different than the one that’s got me hung up. For whatever reasons, that gets me out of my headspace and gets me excited and interested in different kinds of plotlines. That feeds the creative stuff, and helps with logjams. If you don’t want to read…

3. Watch a movie. Or stream something. Some cool series you’ve been wanting to watch. Watch a couple episodes. Or, hell, go ahead and binge-watch. Just be careful with that. You don’t want to get into the habit of binge-watching all the time. But every once in a while, it can help get you out of a writing rut.

4. Get out of your house. Or office. Or wherever you write. Take a walk. Go exercise (which you should be doing regularly anyway, because that, too, helps the creative juices). Go do something in your community like visit a museum that’s having a cool temporary exhibit. Go catch a live music show. Call up some friends (or text or however you do it these days) and meet them for dinner or coffee. Have a barbecue with friends/family. Point being? Remove yourself from writing for a bit. Writers live in their heads. It’s important to get out of your head and, as they say, smell the roses. Besides, if you don’t, you might be missing out on good writing fodder.

5. Take a couple of days and go out of town. No, really. Leave. Even if it’s something goofy like driving a hundred miles to a neighboring town and spending the night at a B&B there. Do it. Go hiking or mountain biking. Rent a canoe and do a day-long tourist-y river float. Being outside in natural surroundings is a cure-all for just about anything that ails you. Don’t believe me? Here. And here. Oh, and definitely here.

source Ahhh...don't you feel better just looking at this?
source Ahhh…don’t you feel better just looking at this?

Find whatever combo works for you. And don’t beat yourself up if you’re in a writing rut or stuck. What that means is you need to recharge the ol’ creative batteries. It’s a normal part of a writing life, to hit ruts. So make it part of your normal writing life to develop healthy strategies to recharge.

Speaking of, what are some of yours? Leave ’em in the comments and happy Wednesday.

To your health

Hi, gang —

Well, I’m still a bit of a Writer McCrankypants. My apologies for that. This project, as excited as I am about it, is rather stressful as all these disparate elements have to come together so that I can launch it to the best of my abilities (and then do the whole thing again with yet another project in the pipeline…LOL).

Remind me again why I do this job? Oh, I remember.

Because I luuuuuuuv it!

As I’ve been working on the project I’m about to launch I’m also finishing up a short story for an anthology. That one’s been a bit of a pain in the butt. Sometimes stories almost write themselves. Other times, they’re divas and require certain things just so, taking scenes out and re-doing them, and a whole host of other issues. This was one of those. Who knows why. It just was. I’m just about done and then I’ll leave it for a few days and go back and read it and see how it all feels.

Anyway, the past couple of months have gotten me thinking, because not only have I been totally swamped in the writing world, but also in my non-writing world. Yes, friends, writers have non-writing lives, too. Like anybody else, we have shopping, cleaning, and laundry to do (unless you’re all super-famous and can hire that out), cars to get fixed, animals to take care of, jobs to go to, family and friends to check in with and/or take care of, home repairs, doctors’ appointments, haircuts, bills to pay, taxes to do (ARGH)…

Which means for those of us who write and work full-time day jobs, there isn’t a whole lot of time for either. And that got me thinking about much larger things that maybe writers and other creative pursuit-types don’t think about.

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