I thought this week I’d chat a bit about finding a publisher (if you decide to go that route rather than self-publish) and pass along some tips for doing so.
I’ve been on both sides of this fence in that I spent a few years as an acquiring editor at a “mainstream” house. I’m also operating in that capacity at my own publishing venture, Dirt Road Books.
But I’m also a published author, and I, too, have had to deal with finding a publisher for my work.
Newsflash: I have indeed been rejected by publishing houses. In the F/F publishing world, I’ve been rejected by three.
I’ll talk a bit about rejection in the publishing world in a future blog. What you need to know now about it is that it happens to everyone and don’t take it as a personal rejection of you. That’s something you need to acquire in a writing life, is a very thick skin.
Before I get into this, my years as an acquiring editor and gate-keeping editor, essentially, allowed me to learn a whole lot about different publishing houses, something I made sure to do so that I could send an author to a house whose list was a better match for their manuscript. I continue that practice today, and I also try to offer some constructive critique to authors about their projects.
Newsflash two: this is not the norm. Most rejections from publishing houses are short and to the point: “sorry, we’re not pursuing this project kthxbai.”
I’m an exception, though I know there are other acquiring editors out there who try to take a few extra minutes to offer something to an author beyond that, but when your inbox is overflowing with submissions and submission queries and you’ve got other business to deal with, I understand where they’re coming from.
So you’ve got your novel written, beta-read, re-written, edited, cleaned up, and ready to go. YAY, you! You’re interested in working with a traditional publisher, so now it’s time to go forth and find one. Continue reading →
R.G. and I are co-founders and co-owners of publishing venture Dirt Road Books. We and 4 other authors got together and launched it in 2017. R.G. and I come from traditional publishing back in the day; collectively, we have over 40 years of experience in publishing (omg dinosaurs roaming the earth).
Both of us worked with publishing houses before ebooks, way before the availability of platforms as we know them now, so we’ve been editing and proofing manuscripts in various formats for a while.
Today we were talking about typos and errors that sneak into the final product, and I thought I would offer some thoughts about how and why that happens, and I’ll do a comparison of old-school vs. new-school processes in publishing a manuscript.
Also, it might be valuable for readers who don’t have a background in publishing or editing to understand the amount of work that goes into a manuscript, whether its format is print or ebook, so you understand why books are priced the way they are. Sure, you can say that “ebooks should be priced even lower than they currently are because they’re just electronic files,” but the fact is, the manuscript behind that ebook went through an ass-load of work before it got ebooked. You wouldn’t do a ton of work on contract for a pittance, would you? Or for free? Well, there you go. Just something else to ponder.
So here we are in a new year and I know for a fact that bunches of you are working on manuscripts and once you’re done with your draft, you’re going to hopefully get it submission-ready. That is, you’re going to prep it in hopes that a publisher will think it’s awesome and sexy.
First things first. Not all houses accept a full manuscript for a read. They might just want the first few chapters. Or maybe the first few chapters and the last few. That’s fine. The point is, if you have a full manuscript that’s ready to go, you can easily extract the chapters or first 50 pages or whatever it is the potential publisher may want to see. And you want those to be clean and ready for viewing. So here are 10 things you can do to help you get it that way.
Ermahgerd. I’ve been crazy busy over at Women and Words, the other place where I blog and admin and carry on. We’ve started a Women and Words podcast, which is me and my co-admin, author Jove Belle, chatting about the week’s crazy/fun and other things related to writing, editing, publishing of interest to LGBT writers and readers. We hope.
And now, onto the business of this blog. I got to thinking about this because I’ve been working with some new writers, and I thought some quick n’ dirty tips might prove useful to those of you who are on the cusp of publication or have JUST published something If so, GO, YOU! And if that’s the case, then you need to…
Happy Friday n’ all a’ that. Oh, and don’t forget to turn your clocks forward this weekend, if you’re in a place that does that whole Daylight Savings Time thing. If you’re not, well, stay asleep.
ANYWAY. Let us discuss some promotional tips. Please start with this blog by fab spec fic author Delilah Dawson titled “Please shut up: Why self-promotion as an author doesn’t work.”
And then, after you get pissed at her, read the follow-up, “Wait, Keep Talking: Author Self-Promotion that Actually Works.”
Okay. The point of Dawson’s first post was to get you thinking about how you go about promoting your work. Everybody knows you have to do some kind of promotion. But there are good ways to do it and not-so-good ways. Dawson lays out the not-so-good ways in the first post. And then she lays out the better ways in the second.
I like to think of self-promotion as “not being a jerk” and I already subscribed to Dawson’s approach before I actually read her blogs. So here’s a list of 10 things I recommend, culled from my own experience and Dawson’s advice, with regard to self-promotion as an author.
I decided — after some comments (some cranky; others not so much) I got regarding my decision to reboot my first mystery, Land of Entrapment — that it might be a good idea to explain what a new edition is and why some authors decide to do it.
There are many reasons authors come to these decisions. We don’t wake up one day and decide, “Oh! I’m going to re-do one of my earlier works and re-issue it! Won’t that be fun?” Because not. It’s not fun. I mean, some of it is. But for the most part, it’s stressful and time-consuming and the longer the book stays off the market, the less opportunity there is for readers to read it. And authors never make this decision to piss people off. Trust me on this.
So let’s chat about some of the reasons authors decide to create a new edition of an earlier work.
It’s been a crazy busy couple of weeks. I’ve started writing again. That is, I started back to work on some novels I’ve had lying around on my hard drive. I did write a short story that got picked up last month for an anthology that’ll be published in the next few months. So my hiatus was kind of spotty. Heh.
ANYWAY. I’m currently getting some things ready for the upcoming GCLS conference in July in New Orleans. That involves a lot of thought about swag and what to bring and what not to bring in terms of my books.
Well, kids, it’s that time of year again. When we start thinking about getting our taxes together for THE MAN. Or WOMAN. Whichever IRS agent has a look at your stuff.
I know. Wow, what an exciting topic. Unfortunately, it’s a reality and it’s one that self-employed folks (and most writers are indeed self-employed) have to deal with all the time. And by now, you’ve probably noticed all the tax commercials showing up on your networks. You know the ones. TurboTax and H&R Block are already at it, as those icky reminders to get your tax on. Or off, which is what deductions are all about.
For those of you living overseas in countries whose governments take care of all of this for you (and they just send you a statement saying how much you paid in taxes), I can only dream of such ease. Here in the States, every citizen is required to put together his or her own tax/income portfolio between January 1 and April 15 of each year. That means you report your income and all kinds of other things to the federal government as well as to the state’s government where you live. Some states do not have what’s called a “state income tax” while others do.
Included in this process are things we here in the States “write off” each year. That is, expenses we incurred with regard to specific situations that relate to businesses or other things (like tax deductible donations, e.g.). In my case, I have to keep track of all my expenses as a writer, since that’s a “self-employed” position and my income is what I earn in royalties. So I keep files of receipts and royalty statements. Lots of receipts, since anything I buy and use in the furtherance/maintenance/development of my work as a writer is something I report to the IRS.
And yes, royalties are taxable. So if you write, you need to keep track of those. If you’re working with a traditional house, those houses will send you a form with your total earnings for the year so you can report that. If you’re self-published, you need to make sure you keep track of your earnings because that’s reportable and taxable.
Some of the things I report as deductions are:
writing conferences (registration, travel to and from, hotels, meals if applicable)
promotional materials/advertising for my books and blogs
internet (because without that, I definitely would not be able to work as a writer in today’s world)
mobile phone, which I use quite a bit for business
office space (you may be able to deduct your home office)
shipping costs for books and promotional materials
writing association fees
computer equipment (last year I deducted my new printer)
editing, typesetting, and covers for my books
expenses I incur as an editor (yes, money I make from that is also taxable), like my subscription to Chicago Manual of Style
So I keep track of all of this during the year. Yes, it’s a pain in the ass. But if you keep things organized during the year, it’s not that big a deal to get it all put together to send off to either the IRS (with the proper forms) or your accountant. I have one of those, so I put my stuff together for the accountant which for me is a lot less stressful than having to do my taxes myself. Yes, it costs. But it’s worth it for my peace of mind.
So readers, in case you wondered, everything a writer makes in terms of sales is taxable, which means the government can take a chunk of it. So no, writing does not give anybody “free money.” It’s income. And therefore taxable. For writers who are just starting out, keep this in mind and start getting organized with regard to your expenses and earnings. Regardless of whether you’re publishing through a traditional house or doing it indie (or both), your royalties are taxable, depending on how much you make from them.
To help you get a handle on what you can deduct as a writer, try these links: