Just blogged this today at Women and Words about the meltdown at Romance Writers of America and some of my thoughts.
Just blogged this today at Women and Words about the meltdown at Romance Writers of America and some of my thoughts.
I thought I’d reprise some basic tips for approaching a publisher (since I am one).
I’ve talked a bit about this in the past, most recently, these 5 tips for finding a publisher that’s right for you. But let’s get down to some essentials.
So let’s say you’re interested in publishing a manuscript you’re working on and you decide to approach a house. Here are some tips to help you do that correctly.
1. Make sure your manuscript is finished. This may seem obvious, but it’s not to some writers, especially those who are just starting out. I get it. You’re working on a novel and you’re really excited about it and you want to get it published. BUT…
There’s an old saying: “Don’t put the cart before the horse.” What that means is, don’t do things in the wrong order because it’ll cost you time and effort at the very least.
Most publishers do not want to see a partially-written manuscript. Publishers don’t grant contracts on the basis of a chapter or two (unless you’re a long-established author). They may read the first few chapters, but they will only do that if the manuscript is complete and the query letter and synopsis piqued their interest and if the manuscript fits their lists.
So don’t send an email to a publisher saying you’re working on a manuscript and you have X words done. They don’t care. They want the COMPLETED project, not 10,000 words of a draft.
2. Do not ask a publisher to assess the first few chapters of your unfinished manuscript to “see if you’re on the right track.”
Time is money, people. You want someone to assess your work? That’s what editors do, and they’re professional and offering a service. So pay them. Or get some fab beta readers who are willing to work with you.
This scenario — asking me as a potential publisher to assess part of an unfinished manuscript — has happened to me more than a few times in the past and just so you know, it’ll get you tossed out the airlock at almost every house you try this. I’m an exception, because I’ll explain to you that this is not how you go about approaching a potential publisher and I’ll probably provide you some links to resources that tell you how to effectively approach a publisher with a submission. Then I’ll toss you out the airlock, but gently.
Unless you’re a dick in your approach. In which case, no resources for you. Just a “we do not consider unfinished manuscripts. If you’re looking for guidance, we recommend you consult with beta readers or hire a developmental editor,” and then we put your name in the “hell, no” forever file.
It is not a publisher’s job to assess your work or help you write your manuscript so they can publish it. That’s a developmental editor’s job, and you should hire one if you’re having trouble writing a manuscript. Or hire a writing coach. Or chat with your beta readers. Don’t have any? Get some. It’ll save you getting flung out a publishing airlock and/or being put in a “hell, no” file.
3. Put a professional query packet together so it’s ready to go. This includes your FINISHED manuscript; a query letter (no more than 2-3 paragraphs that includes your background, bio, and any other things you’ve written); brief synopsis (no more than about 250-300 words). And have a longer synopsis ready to go in case a publishing house requests one.
The key here is to look professional. You want a publisher to take you seriously? Then put together some serious materials that help a publisher get a sense of who you are and what your writing approach might be. Don’t forget to have a website for your writer self ready to go to include in your contact materials.
Caitlin Berve has some great info on query packets at Ignited Ink. You should go see.
4. Make sure you read the submissions guidelines THOROUGHLY and prepare your query packet and manuscript accordingly. If you don’t do that, a publisher will wonder what other instructions you ignore. Every publisher is different, so make sure you know what each one is looking for.
And with that in mind, make sure you send the right query packet to the correct publisher. This has happened to me more than a few times, too — I’ve gotten query letters addressed to someone at a totally different house.
Details are important, friends.
5. It’s okay to ask if you’re not sure about something in a publisher’s submissions requirements. It’s okay to send a quick email to ask for clarification. Be polite and get to the point immediately in that email. Don’t go on about the project you’re working on or your super-sexy query packet. Just ask your question, say please and thank you, and go about your business. And if the publisher doesn’t respond to that one little email, well…maybe you’ll want to approach other houses instead.
All right. Just remember, publishing is a business. Think of approaching them as if you were getting ready for a job interview. You want all your materials ready to go, and you want to present yourself as a fellow professional. Don’t give them reasons to think otherwise.
I thought this week I’d chat a bit about finding a publisher (if you decide to go that route rather than self-publish) and pass along some tips for doing so.
I’ve been on both sides of this fence in that I spent a few years as an acquiring editor at a “mainstream” house. I’m also operating in that capacity at my own publishing venture, Dirt Road Books.
But I’m also a published author, and I, too, have had to deal with finding a publisher for my work.
Newsflash: I have indeed been rejected by publishing houses. In the F/F publishing world, I’ve been rejected by three.
I’ll talk a bit about rejection in the publishing world in a future blog. What you need to know now about it is that it happens to everyone and don’t take it as a personal rejection of you. That’s something you need to acquire in a writing life, is a very thick skin.
Before I get into this, my years as an acquiring editor and gate-keeping editor, essentially, allowed me to learn a whole lot about different publishing houses, something I made sure to do so that I could send an author to a house whose list was a better match for their manuscript. I continue that practice today, and I also try to offer some constructive critique to authors about their projects.
Newsflash two: this is not the norm. Most rejections from publishing houses are short and to the point: “sorry, we’re not pursuing this project kthxbai.”
I’m an exception, though I know there are other acquiring editors out there who try to take a few extra minutes to offer something to an author beyond that, but when your inbox is overflowing with submissions and submission queries and you’ve got other business to deal with, I understand where they’re coming from.
So you’ve got your novel written, beta-read, re-written, edited, cleaned up, and ready to go. YAY, you! You’re interested in working with a traditional publisher, so now it’s time to go forth and find one. Continue reading
I tend to think a lot about process and the little things that go into working on a project and yeah, the overarching philosophy behind the act of writing.
I mean, obviously, if you’re writing a novel, you probably have the ultimate goal of being published. Let’s assume that’s the goal, anyway and let’s focus here on writing novels/fiction.
Writers don’t write just to get published. If that’s the only reason you’re doing it, re-assess. Write because you love it, because you can’t NOT write, because if you didn’t your soul would wither into a desiccated carcass, left to bake on the salt flats of your future.
So with that in mind, I’m here to disavow you of some notions because writing a draft of a novel isn’t just hammering something out and then you’re ready to go get it published (and then make ass-loads of money).
New year, new…whatever.
ANYWAY! Thought I’d get back into the groove here with some more blogging. Not that I haven’t been blogging/writing/podcasting, It’s just that I’ve kind of left my website all by itself and that ain’t right!
Okay. So I thought I’d bring some things up for y’all to think about — ESPECIALLY if you’re an unpublished author looking to be published and get your debut novel out there for the world to see. Continue reading
Hope your holidays went awesomely and that you’re well on your way to settling into this latest chronological trip around the sun.
So let’s talk new year, new opportunities.
I don’t make resolutions. Instead, I make a few goals to accomplish but leave options open for opportunities that may spin off said goals and/or things that don’t go so well. I also create new good habits or strengthen existing ones if I haven’t been as engaged as I’d like in those.
So here are 10 things to do to get you into the swing of a new writerly year and to keep you going throughout the year. Or, if you’re not a writer but have other pursuits (whether creative or otherwise), some of these you may be able to tailor to that.
1. Get organized.
I do this at the start of every year. And generally it begins New Year’s Eve with a house-cleaning. I’m pretty regular about cleaning my house, but I do a symbolic one around the end of the year so I go into the new year feeling fresh n’ clean! LOL
Then I usually spend the first week or two of the new year getting rid of material things around the house and donating to charity. Clothing, dishes, furniture — things that have served their purpose but no longer do (at least with me) and someone else no doubt could put them to use. I also begin organizing for tax season, something that you have to do every year regardless, but for writers, there are things you need to organize in terms of deductions and royalties and the like.
Point being: organization and cleaning up can help unclutter your creative energy and help you focus, which might also help with some forms of depression.
2. Set a goal for the one writer project you want to complete this year.
Maybe it’s a novel. Or a novella. Or a few short stories. Whatever it is, create a realistic timeline (part of the “get organized” strategy) and make a schedule. By such-and-such date, for example, you want to have 5,000 words written. Or whatever it is.
TIP: Be realistic about all the commitments in your life. It is possible to work in writing a novel around a day job and a family and all the other things that come up (ask most writers). Even 30 minutes a day once or twice a day can move you to your goal. Carve out the time. If you’re serious about writing or any other goal you have, carve out a bit of time and be open to moving that time block around as you figure out what your schedule is during these first few weeks of the new year and what times of day you’re most creative. Work it that way and stick to it.
Here’s a cool link over at Author Media that helps you create a writing schedule that works for you.
3. Buddy up.
Find a writer buddy who is also working on a project who can serve as your cheerleader and nag (lol). Like a workout buddy, your writer buddy will engage in writing sessions with you, whether online or in real time. What that means is, if you’re doing an online writer session, you agree with your writer buddy on a set time on specific days and you check in online and do your writing thang. Then you share what you wrote.
Sometimes you won’t get very far with your word count. So what? The important thing is, you’re producing something and you’re sharing it with your buddy (and she’s sharing it with you). It’s like you’re working out together, showing how many sets and reps you got in. And your buddy might also serve as a beta as you’re going along, which helps with the re-writing aspect of writing. Heh.
4. Take breaks.
From writing. Seriously. Writing burnout can be a thing. I know people tell you to make writing a habit and you have to produce something every day and omg deadlines but guess what? Driving yourself off the road because you’re exhausted or tense or need to deal with other things does not help you complete the journey. Stop at a rest area and stretch your legs (to continue that metaphor).
Make sure you spend time with your loved ones and that you take time for yourself that isn’t the physical act of writing. Writers are ALWAYS writing, because we’re constantly seeing stories all around us and working scenes out in our heads, but the physical act of writing is where you’re staring at your screen and pounding away at your keyboard (or longhand writing; however you do it). I’m talking about taking a break from THAT. Once a week. Once every two weeks. Just a little break from your routine to refresh your mind and give you a jolt of creativity.
5. Get out.
Literally. GET OUTSIDE. Specifically, green space, friends. Wherever you are, go to green space. Some of you live in areas of the country where that’s not difficult. Others have to use what’s been engineered (e.g. Manhattan’s Central Park). Or, hell, take a walk around your neighborhood. Just be OUTSIDE. Make it a point to do that. And also, do not use your phone or other tech when you’re outside. Be present.
What that means is, when you’re doing a writing session, you are writing. Don’t go messing around on social media after you finish a paragraph or a chapter. Get up and walk around or make a cup of tea or something and go back to writing until your scheduled session for the day is done.
Try to minimize your obsession with the rest of the world at least during your writing time but I’m going to STRONGLY suggest that you unplug regularly, for maybe an hour a day. It helps give you perspective and allows you to be present with your thoughts and to engage with the world without the filter of social media.
And in these shitty times, it’s important to ensure you don’t allow yourself to get sucked into the toxicity of what passes for discourse these days. Which is not to suggest that you don’t engage at all online with your contacts, colleagues, and friends. Just don’t get sucked in and make sure you spend time engaging in the real world, too.
7. Eat right.
Creativity needs good fuel. If you’re eating/drinking things that aren’t conducive to overall health, you’re eventually not going to feel completely healthy. And it will run you down, which means you will lose effective writing time. So have a look at your diet and clean it up, friends.
Start with one small thing. For example, switch from soda (even diet, which has its own set of issues) to, for example, sparkling water (the kind that doesn’t have fruit juice, which adds sugars). Almost 6 years ago, I went off caffeine, which meant that I stopped drinking soda. I had been drinking diet colas, but going off caffeine made me quit those. Sure, there are decaf soda options, but I lost the taste for soda really quickly and I don’t miss it at all.
Eat regular meals (and try to eat with your loved ones, no distractions!) and don’t eat late at night. That can contribute to and exacerbate issues. So don’t eat after, like, 6 PM which is what I try to do.
Snack on ready-sliced fruits and veggies. I get this stuff ready ahead of time or buy those packets of baby carrots and dip them into guacamole or tzatziki or I’ll just munch ’em plain.
Lower your unhealthy carbs (i.e. cut back on alcohol and overly processed carb-laden foods). If you start focusing on eating more good proteins and vegetables, you don’t need the energy burst (then crash) that comes with carb and sugar boosts because your body will be effectively fueled all day.
But if you just want a starting point: stop drinking soda and cut back on alcohol. And if you smoke, maybe make that one of your writing goals, to stop. Better overall health means more creative energy and more stories. 🙂
8. Get moving.
Exercise helps with overall health — physical, emotional, mental. And exercise helps clear your mind and energizes you, which funnels right into creative energy.
And you don’t need to join a gym to do it, though that does help get you into a routine. I actually do workouts based on Navy Seals exercises, because I don’t need a gym and I can take the routines on the road (I travel a lot) and they don’t require special equipment.
I do a circuit of those 3-4 times a week, then on non-circuit days I’ll walk or ride a stationary bike or do some other kind of cardio-only then finish with a few sets of core-strenghtening exercises.
It is extremely important to strengthen your core. If you primarily sit to write (I alternate sitting and standing), you need to get up and work your core. Here’s a great list of core exercises that don’t need equipment.
Some of those exercises can be found in this cool list of 50 bodyweight exercises (that is, you don’t need equipment; you’re using your bodyweight as resistance).
Want to start simple? If you can, start walking. If you can’t quite do that, check out the bodyweight resistance exercises and core exercises to build up to moving around more. If you have health issues that preclude just starting on your own to exercise, check with your docs about what you can and cannot do and go with that.
Your body and your mind are interrelated. Keep your body strong and fueled with good stuff and it boosts your brain. 🙂
Be your own Amazon.
Read WIDELY. Across genres. Fiction and nonfiction. Magazines. Blogs. Fanfic. Read all kinds of stuff. Make it a point to stretch your reading comfort zones and read authors from different backgrounds and countries. Engage your critical thinking skills and question not only others, but yourself. This is how we develop and it’s how we create better stories.
10. Have fun.
This can also fall under “self care” (see above, too). My have fun routines include indulging my fangirl side, so I go to see movies or indulge in a staycation in which I get to catch up on some programs I haven’t had a chance to engage with.
I’ll also go out with friends and take day trips to get new perspectives. If you can, do a road trip, even if it’s just a few hundred miles. Get out of your zone, see new/different things, engage with different people. Fuel for stories, friends. Even fun stuff fuels your creative energies.
AND A COUPLE MORE THINGS.
Be kind, to yourself and others. Stay alert and help build the communities that feed your soul.
Happy New Year!
So yesterday I was drinking a beer (Sam Adams Nitro Coffee Stout, if you must know) and decided I should do an “Ask Me Anything,” which I hadn’t done for a while. So I put out a call on Facebook and here is what we have:
I know. I’ve been neglecting all of you. But I have been writing a ton of Fangirl Friday blogs over at my other site, Women and Words, so if you wonder where the hell I am, check there. And the Twitterz, where I go by the cryptic handle @andimarquette.
Anyway, I’ve got a lot of things in the works right now. I recently published a short novel at Ylva — it’s a thriller with a little romantic undercurrent. Here’s the link, if you want to see more.
I’m working on some rewrites of my other stuff to get it back on the market…yeah. That’s been kind of a clusterfuck, and I apologize a jillion times over for that. Hopefully that will be remedied soon, but seriously. Clusterfuck. I can’t even with that. Sigh.
Plus, I have to admit, this election season has given me super angst. This whole fucking year has given me angst because of all the shitty-shit that’s gone down in a variety of quarters, which means I’ve sought escape in order to maintain my emotional and spiritual (and physical) health.
Along those lines, I’ve basically reclaimed my 37th childhood and decided to go fangirl for various things (see my posts at Women and Words) and seek solace with like-minded people. At least we can all fangirl together.
Like I said. I went crazy over here on my blog with various authors who have stories in the just-released anthology Order Up: A Menu of Lesbian Romance & Erotica, edited by yers truly and R.G. Emanuelle.
Today, we are joined by N.R. Dunham, who will share with you some background about her story, “A Twist of France.” She’s also included an excerpt, so dive right in and get you some. 🙂
Hello, people! Well, as it turns out, my blog is getting a lot of action (ha!) during the Order Up Blog Tour. Which is fine n’ dandy with me.
Today I’m pleased to introduce Jaye Markham, whose story “Not Spam Again!” deals with women in the armed services during World War II in London.
I’m now going to turn this over to Jaye, who will give you some awesome historical (herstorical) background to her story and to the larger issue of women serving in WWII.