Identity, politic

Hi, all!

Geez, WTF, Andi? It’s been, like, forever and a day and all kinds of THE THINGS happened and where the hell were you and just what are you doing?

I know. Straight up, I’ve been FB’ing incessantly about the Women’s World Cup (OMG YAY TEAM USA) and writing for deadlines and then there was the amazing historical BOOM when marriage equality was ruled the law of this great land and then there was a horrific tragedy and then all kinds of crazy over certain flags. I decided much wiser heads than I can address those two latter issues, and I still haven’t quite been able to wrap my head around the whole marriage equality thing.

At some point, I will blog that, because I’m coming from a perspective of believing that I probably wouldn’t see it in my lifetime or if I did, I’d be in my 60s or 70s. This perspective, I think, causes a fatalistic outlook on relationships. Marriage was something I thought I could never have, so I never planned for it. I educated myself about the issues, worked to advance them as I could, but I never thought it would be something that I myself could enjoy.

And that leaves its own kinds of scars. Which I will discuss later, as I ponder more.

In the meantime, I wanted to discuss something else. Specifically, what repercussions marriage equality may have on genre fiction.

I wonder this because yesterday at Women and Words, we posted a blog by New York Times bestselling romance author Melissa Foster, who just released a new book in her Harborside Nights series that features a lesbian main character and this character’s love for another woman.

Foster predominantly writes heterosexual romance, and this is her first F/F. As she notes in the blog she did at WaW, she got a little bit of blowback from her writer colleagues.

Why?

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