On writing (or not) religion

Hi, peeps!

I heard that George Michael song the other day during a throwback radio show. You know the one. “Faith.”

And I got to thinking about that. There are many kinds of “faith.” Faith in yourself. Faith in your friends. Faith in your family. Faith that you’ll get that big promotion. Faith that things will work out. And, of course, the kind of faith that too often gets grafted onto religion.

I say this because a few days back, someone asked me if I go to church. I immediately froze, because I’m not comfortable with questions like that. The person proceeded to tell me that I’d probably feel better if I prayed. Which only made me even more uncomfortable.

Why? Because it’s presumptuous to think that everybody thinks like you do. And it’s presumptuous to think that your way of coping with something (i.e. religion) is for everybody. I try to be mellow about statements like this, because I’m sure the statements come from good intent. But nonetheless, it comes off as patronizing and, honestly, proselytizing. And yes, I have an uneasy relationship with organized religion, given my current go ’round on this planet as a woman and as someone who identifies as not straight.

And before you ask, I’m one of THOSE people who tends not to discuss religion publicly. I will occasionally discuss politics, but when it comes to religion, I just don’t go there. Why? Well, because I consider religious and spiritual beliefs to be a personal matter, so I don’t ever ask people what theirs are nor do I offer anything about mine. If someone asks, we can discuss it privately. Otherwise, it’s not something I address and it’s never something I ask people.

Why am I thinking about this?

Go see!

Continue reading

Why the hell are you writing a new edition?

Hi, all! Hope the weekend treats you well.

I decided — after some comments (some cranky; others not so much) I got regarding my decision to reboot my first mystery, Land of Entrapment — that it might be a good idea to explain what a new edition is and why some authors decide to do it. LoE for website

There are many reasons authors come to these decisions. We don’t wake up one day and decide, “Oh! I’m going to re-do one of my earlier works and re-issue it! Won’t that be fun?” Because not. It’s not fun. I mean, some of it is. But for the most part, it’s stressful and time-consuming and the longer the book stays off the market, the less opportunity there is for readers to read it. And authors never make this decision to piss people off. Trust me on this.

So let’s chat about some of the reasons authors decide to create a new edition of an earlier work.

Continue reading

Why you need to care about craft

Hi, peeps!

Hope the weekend treated you well. Writer and editor Nann Dunne posted this link on a Yahoo discussion list a couple days ago and I’m sharing it here because Larry Brooks knows whereof he speaks.

In this particular blog, Larry points out 7 things that will make you a better novelist (and, by extension, writer).

Guess what?

It involves WORK.

So let’s have a think about this.

Continue reading

Some publishing tips

HI, peeps!

Behold! The Ides of March!

I threw my Facebook page open to the winds and asked people what topics they would like me to blog on. It seems the top answers are “publishing” and “how-to.”

I’ve already blogged on those topics (I’ll post the links here so you can go see), but I can do a relatively quick overview here.

So. Let us begin!

Continue reading

10 things to do when you “finish” a manuscript

Hi, peeps!

By now some of you are no doubt lamenting the Super Bowl. Others are celebrating. And still others are thinking, “Oh, the Super Bowl was on? Huh.”

And then there are many others who have been working on writing projects. Some of you may actually have FINISHED a project! Glory! Hallelujah! So…what now?

There are actually any number of things to do when you complete a manuscript, but the point here is to start with a basic list and then you tailor it to your own specs and hopefully, you’ll then have this little ingrained checklist in your skull that becomes some kind of sick ritualized habit that you engage in when you finish a manuscript. Heh. That’s the idea, friends! Start making good habits now, so you incorporate them into your world.

Okay. So you finished your story/novel! GO, YOU! How much awesome are you carrying around because of that? LOTS! Go ahead and pour yourself a tall glass of awesome juice, because you earned it. So what now? Short of posting your glorious news all over social media? Screen Shot 2015-01-31 at 3.44.41 PM

Continue reading

Writing is taxing (and taxable)

Well, kids, it’s that time of year again. When we start thinking about getting our taxes together for THE MAN. Or WOMAN. Whichever IRS agent has a look at your stuff.

I know. Wow, what an exciting topic. Unfortunately, it’s a reality and it’s one that self-employed folks (and most writers are indeed self-employed) have to deal with all the time. And by now, you’ve probably noticed all the tax commercials showing up on your networks. You know the ones. TurboTax and H&R Block are already at it, as those icky reminders to get your tax on. Or off, which is what deductions are all about.

source

For those of you living overseas in countries whose governments take care of all of this for you (and they just send you a statement saying how much you paid in taxes), I can only dream of such ease. Here in the States, every citizen is required to put together his or her own tax/income portfolio between January 1 and April 15 of each year. That means you report your income and all kinds of other things to the federal government as well as to the state’s government where you live. Some states do not have what’s called a “state income tax” while others do.

Included in this process are things we here in the States “write off” each year. That is, expenses we incurred with regard to specific situations that relate to businesses or other things (like tax deductible donations, e.g.). In my case, I have to keep track of all my expenses as a writer, since that’s a “self-employed” position and my income is what I earn in royalties. So I keep files of receipts and royalty statements. Lots of receipts, since anything I buy and use in the furtherance/maintenance/development of my work as a writer is something I report to the IRS.

And yes, royalties are taxable. So if you write, you need to keep track of those. If you’re working with a traditional house, those houses will send you a form with your total earnings for the year so you can report that. If you’re self-published, you need to make sure you keep track of your earnings because that’s reportable and taxable.

Some of the things I report as deductions are:

  • writing conferences (registration, travel to and from, hotels, meals if applicable)
  • promotional materials/advertising for my books and blogs
  • office supplies
  • internet (because without that, I definitely would not be able to work as a writer in today’s world)
  • mobile phone, which I use quite a bit for business
  • office space (you may be able to deduct your home office)
  • shipping costs for books and promotional materials
  • website/domain fees
  • writing association fees
  • research materials
  • computer equipment (last year I deducted my new printer)
  • editing, typesetting, and covers for my books
  • expenses I incur as an editor (yes, money I make from that is also taxable), like my subscription to Chicago Manual of Style

So I keep track of all of this during the year. Yes, it’s a pain in the ass. But if you keep things organized during the year, it’s not that big a deal to get it all put together to send off to either the IRS (with the proper forms) or your accountant. I have one of those, so I put my stuff together for the accountant which for me is a lot less stressful than having to do my taxes myself. Yes, it costs. But it’s worth it for my peace of mind.

So readers, in case you wondered, everything a writer makes in terms of sales is taxable, which means the government can take a chunk of it. So no, writing does not give anybody “free money.” It’s income. And therefore taxable. For writers who are just starting out, keep this in mind and start getting organized with regard to your expenses and earnings. Regardless of whether you’re publishing through a traditional house or doing it indie (or both), your royalties are taxable, depending on how much you make from them.

To help you get a handle on what you can deduct as a writer, try these links:

More writer-y
Writer’s Digest: “What Writing Expenses are Tax-Deductible?”
Savvy Book Writers
Jane Friedman’s blog: on self-employed writers and taxes (Friedman is super-knowledgeable about the biz)

More business-y
Internal Revenue Service deductions info
Riley & Associates (accountants) have some cool fill-out sheets and info
Freelancetaxation.com
Kiplinger.com on overlooked deductions (some of these may not be applicable to you and your writing career, but it’s good to know regardless)

I know. Doing your taxes is a level of suckitude with which we can all sympathize. But if you stay organized and get cracking early in the year, you’ll be done a lot quicker each year.

Happy Monday, happy tax season. Or something.

Here’s whazzup!

Hi, kids!

Okay, quick update time. Some of you have been wondering WTF is going on with the follow-up to my romance novella, From the Boots Up. If you haven’t read it, well it’ll only set you back a buck ninety-nine. Hope you check it out.

source

Well, the follow-up is a novel-length piece (long novel), and it will be available in print and ebook, and those are two very different processes. A print version requires professional typesetting and then a bunch of times through those files to make sure everything’s going to work.

I have to make sure that all the changes I requested in the print version are made in the file I’m working off of to create ebook files (different platforms require different files), so this part of the process is also time-consuming and a bunch of detail-oriented busy-work because I don’t like to do sloppy work and I don’t like to offer sloppy products. Not to suggest that other authors do. I’m not suggesting that at all. It’s just that I have a major perfectionist streak, and I can get kind of obsessive about checking and re-checking (astrologically, this is what happens when your Moon is in Virgo LOL).

All that said, I will be doing a cover/title reveal Friday the 16th, and I’ll provide a synopsis. I’m hoping to get this pup released the first week of June. Let’s hope the stars align (with the Virgo moon) for that to happen.

Also, fellow author/editor R.G. Emanuelle and I are working on a project together and we’ll be revealing that around May 22nd. So stay tuned for that. WOOO!

And I’ve been working on short stories to include in a couple of things (I’m waiting to hear about one; if it doesn’t fly, oh, well — I’ll hopefully find another home for it). AND I’ve been working here and there on the fourth in my sci fi series. New writing has kind of taken a back seat while I deal with the follow-up to Boots, which has been quite the process. Hopefully, it won’t suck. WOOO!

All rightie, all. There’s some 411 for you.

Happy weekend!

Where were we? On setting and place

Greetings, peeps!

So, I’m Andi and I’m a setting whore.

That is, I love me some setting. I love a setting that an author threads into a story in ways that make me feel the local flavor and color, see myself walking down a particular street, and enjoy a view the main character does. I love a story in which setting comes alive, as in Alexandra Fuller‘s astonishing works about Africa and Wyoming. I also love a story in which setting is a strong secondary character — a vehicle for the other characters, like Carl Hiaasen‘s Florida or Tony Hillerman‘s Southwest.

It’s also hard to write setting well. You don’t want it to weigh down your narrative, but you want it to stand out when it needs to. Maybe you want it to confine your characters, like in a dungeon. Or a cave in a blizzard. Or a snobby cocktail party. Maybe you want it to liberate them, like a distant river that marks the boundary to the kingdom of Rin, where your characters will find sanctuary from the evil queen of Tandix. Or the sight of an island after a long voyage at sea. Or a view of home from a mountaintop.

Could be you want it to instill fear in your characters, like the Grexen Swamps within which dwell the legendary Faljin trolls. Or that really dark, creepy subway tunnel from which just emanated a scream. Or the gleaming white of the official’s hall, where judgment will be meted out.

Or you want it to make your characters feel safe and loved. Like in grandma’s kitchen, which always smells like enchiladas or maybe fried chicken and okra. Or your pickup truck, which you’ve had for years and that has gotten you out of lots of tight spots. It still looks good, even after all these years.

You see why setting is important? It influences what your characters are and, in some cases, who they are. It can change your characters — make them rise to an occasion or fail. It can create adversity (think about the recent Robert Redford movie All Is Lost) or offer succor. Think about the rich settings of The Lord of the Rings movies, or of the Star Wars movies. Setting isn’t just landscape. Think about the movie Misery in which the character is held prisoner in a house.

Setting isn’t just a backdrop. It’s a vehicle for characterization and narrative. And it’s also an intrinsic part of a character. And it’s not just something you see. Setting has sounds, smells, tastes. It evokes feelings. So when you’re writing setting, think about that, too. So let’s go chat a bit more about this, shall we?

Continue reading

On the philosophy of writing

OMG how deep did that even sound? Yeah, we’re all navel-gazing up in here. Heh.

Actually, there seems to be something in the writing water, because a few of us have been waxing philosophical (wax on, wax off) on our blogs for a couple of days, now. I must’ve had some of that writing water, because I’ve been navel-gazing after all.

We all make choices. I get that. One of mine was to work a day job so I would have health insurance and other benefits that I just can’t afford otherwise. At least not at the moment. As a result, I don’t write 8 hours a day. I would LOVE to do that, but I made a choice. So writing is a part-time job (though it takes up many more hours than that), and I view it as such. I don’t view it as a hobby. It’s a job, and one that brings me a lot of satisfaction and happiness in many ways.

But it also brings me a shit-ton of frustration, angst, and exhaustion. There are days I’m despondent, that I have no desire to write anything, and I wonder why the hell I do this and what the point of it all is. Rejection emails. Skimpy royalties. Bad or weird reviews. Plots that suck. Characters that piss me off. Ineffective writing. Word salad with no flavor.

I have those days.

I’ve written thousands of words over the decades. As individual words, they don’t suck. They’re just words, part of a language that indicates something. Without context, they just float around in thought bubbles, neutral entities without baggage. As combinations of words that I put together, some of them do suck. Others don’t. They’re slung together, thousands of them, in patterns and styles that track this long slog I’m on. Some are epically bad. Others aren’t too bad. And sometimes there’s a gem in there.

I have the evolution of my writing life in boxes, on discs, on my hard drive, my flash drives, and the Cloud, signalling the shifts in technology over the years as well as various points on this path, when the combos of words started to suck a little less. And out of all of the thousands of words that I have written, very few of them have made it to the big stage. I’ll write thousands more. A small percentage of those will make it off my hard drive and out into the world. The rest will serve as pavers on the road that is my personal writing journey.

That’s okay, fellow inkslingers. As author/writer/ninja wordsmith Chuck Wendig says,

Your writing career will be long. Lots of peaks and valleys. Lots of digging in dirt, lots of learning “wax-on, wax-off,” not sure how waxing a fucking car will teach you goddamn karate. Lots of living to do, lots of reading to do. A world of of thinking, what feels like literal tons of doubt pushing down on your neck and shoulders. And, obvious to some but not obvious to all:

It’ll take a lot of writing.
See Chuck’s blog, “It Takes the Time that It Takes,” HERE

And then I read Kameron Hurley’s blog over at Chuck’s virtual house HERE.

THAT is the essence of a writing life. And this, from that blog, is key:

I think I’ve been on the long tail a long time, but the more I talk to other writers the more I realize that that whole slog – the shitty apartment with the shitty boyfriend, the frigid outhouses in Alaska, the cockroach wrangling in South Africa – weren’t actually the start of it. That wasn’t the part where things got really interesting.

It was getting the first book. It was after the first book. It was being confronted with the fact that writing is a business, and expectations are very often crushed, and your chances for breaking out are pretty grim.

It’s persisting in the game after you know what it’s really all about. After the shine wears off. It’s persisting after all your hopes and aspirations bang head first into reality.

That’s when it starts. The rest of your life was just a warm-up.

Anyone who tells you differently is selling something.
Kameron Hurley, “On Persistence and the Long Con of Being a Writer

Once you have that first book or story out, THAT’S when things do get interesting. Writing IS a business. And now you have to find the balance between your creative lovefest and the crapshow that the business can be. Wax on. Wax off. Repeat.

Because Hurley’s right. Persistence is what it takes to be a successful writer. Think of that, as she says, as a way of life and not just a word. That is the essence of a writing life.

Back to it, Grasshopper.