Call to Arts with Neil Gaiman

Hi, groovy people–

This might be viral-ing around writer world, but I wanted you to see it if you haven’t already. This is author Neil Gaiman‘s recent (as in, May 17th or thereabouts) commencement address at the University of the Arts in Philadelphia.

It’s about 20 minutes long, but he’s a wonderful speaker as well as writer and his message, I think, will hit home for all artists, writers, creator-types, tinkerers, wanderers, eccentrics, irreverents, and anybody else who ever thought “what if” and then followed that little hint in the back of the mind to see what was over the next hill.

Source for the vid

Happy Friday, happy writing, happy dreaming!

Chuck Wendig’s Blackbirds

Happy Friday, peeps!

I’ve provided links to author Chuck Wendig’s writing tips in the past, because I love his irreverent, often profane take on this nutty writing life.

He just released his novel Blackbirds, and it’s getting a ton of well-deserved praise and buzz. Check out the sexy-time cover:

source: Angry Robot Books

Here’s what it’s about, from Angry Robot:

Miriam Black knows when you will die. She’s foreseen hundreds of car crashes, heart attacks, strokes, and suicides.

But when Miriam hitches a ride with Louis Darling and shakes his hand, she sees that in thirty days Louis will be murdered while he calls her name. Louis will die because he met her, and she will be the next victim.

No matter what she does she can’t save Louis. But if she wants to stay alive, she’ll have to try.

Here’s part of the buzz, all from Angry Robot:
“Trailer-park tension, horrified hilarity, and sheer terror mixed with deft characterization and razor plotting. I literally could not put it down.”
– Lilith Saintcrow, author of Night Shift and Working for the Devil

“A gleefully dark, twisted road trip for everyone who thought Fight Club was too warm and fuzzy. If you enjoy this book, you’re probably deeply wrong in the head. I loved it, and will be seeking professional help as soon as Chuck lets me out of his basement.”
– James Moran, Severance, Doctor Who and Torchwood screenwriter

“Gritty and raw, Blackbirds sports a unique heroine in the form of Miriam. Both sympathetic and pitiable, she dances through Chuck’s brilliant turns of phrase and crisp writing to an illuminating ending which begs the question: Are we truly masters of our own fate?”
– Allison Pang, author of A Brush of Darkness

That might not be the kind of book up your alley, but what I also dig about Chuck is how open he is with and about his process. Here’s part of the story BEHIND Blackbirds, done in his “25 Things…” format. It’s worth the trip over. CLICK THIS LINK HERE OR BE FOREVER DOOMED TO THE WALK-IN FREEZER OF MORDOR!

Happy Friday, y’all, and may we all find that “god I love this novel this is the one that will take me to the fire goddess Pelé and buy our way out of her wrath with a cocky grin and a song and make sure I have plenty of party favors” novel within us.

Breast Regards

I actually wrote “breast regards” in an email the other day and I almost sent it until I caught it. I had a good laugh about that. Kind of a weird Freudian slip. Or maybe not.

I’ll be walking in a fundraiser for a breast cancer foundation pretty soon that helps provide mammograms to women (and men) who can’t afford them. I’m a huge believer in mammograms as a screening tool, so I raised some money for this organization.

I was diagnosed last November with Ductal Carcinoma In Situ (DCIS), the most common form of non-invasive breast cancer (hence the reason I’ve had boobs on the brain).

I had no symptoms, no visible signs, no lumps. A mammogram picked up the problem, picked up that the cancer was in various places in my breast. So, I lost the breast. You can read a conversation between me and fellow author Anne Laughlin about our breast cancer diagnoses.

I was lucky. I was stage 0. The 6 or so lymph nodes the surgeon took had no evidence of cancer, and the margins (where my breast attached to my body) were clear. As a result, I didn’t need chemo or radiation. But I do carry a war wound across my left pectoral — a long, horizontal scar that slashed a new chronology into my life: before cancer, and after.

So I’m still a little raw, literally and figuratively. I’m still trying to figure out what this means, or whether it means anything at all beyond a healing wound on my chest and the prosthesis I wear during the day. I’m slowly getting used to the new topography of my physical self, slowly working on reconciling the before cancer days with the after cancer days, and savoring the many pieces of each day that before I might have missed.

And I’m looking forward to this walk, because for me, it’s become a metaphor: Taking steps. Steps toward something, like healing or some other personal goal, or taking steps for someone else who, for whatever reason, can’t.

Like the women and men who are battling this disease right now. I’m going to walk for them. And I’ve met survivors — a lot more since my own diagnosis, so I’ll walk for them, as well. I’ve also known women whose journeys came to an end because of breast cancer. I’ll walk for them, too, and for the friends and families of us all.

And I’m going to walk for myself, because I need the sense of moving beyond my diagnosis and my surgery, beyond the fear and the doubt and the anxiety and the long days spent waiting for test results, waiting on doctors, waiting on the phone, waiting for the next medical assessment.

Waiting isn’t moving.

Walking is.

So I’ll walk. For me, for you, for all of us, for all of them.

I’ll walk because I can, because I wake up every day now, and know that I can. And that is a precious, precious thing.

Happy Friday, all. Take care of yourselves and each other.

I’m processing, here…

Hi, kids!

Writers talk quite a bit about “process.” Basically, your process involves the methods you employ to churn out that book/story/script/whatever you’re working on. Every writer’s process is different, so don’t freak out if you find out some writer somewhere does something like makes painstakingly detailed outlines and character sketches and that’s not something you do so oh, my god, maybe you’re doing this writing all wrong and holy crap you’re going to start keeping SRSLY outta control detailed notes and organize them alphabetically/chronologically because YES that must be how it’s done. And so on and so forth.

Point being, that might not be what works for you, though I, too, have had those moments where I think that I must be doing this writing thing wrong, because I don’t do X, Y, or Z or I do something that some other writer doesn’t do. I learned, over time, this important statement:

Whatevs.

That is, you do what works for you. Process and work = two sides of the same coin.

With that in mind, I leave you with Joe Bunting, at The Write Practice, who has provided Jack Kerouac’s 31 Beliefs About Writing.

Happy travels!

Letters to friends

I was looking for something writer-ish, maybe a tip to share with all of you who are writing or want to write. But instead, I found these two amazing blog posts that I wanted to share instead.

The first is by Victoria Oldham, who blogs here. Vic generally gets me thinking when she posts, even if it’s something humorous. She has a lyrical writing style, whose cadences are reminiscent of poetry. This post is no exception. Here, she writes a letter to a young butch, and it’s about claiming space, living, nurturing your identity, and finding your armor.

Enjoy.

The second is by Jack Andrew Urquhart, a gentleman whose writing I just discovered today. He blogs here. In this, his short story “Letter to a Friend,” the main character (told in first-person POV) remembers a man with whom he fell in love, something that caught him completely off guard, as you’ll see. Urquhart has a hypnotic, gripping narrative style rich in imagery, sparse and clean in language, but deep in impact.

Enjoy.

Word therapy, for this Easter and Passover weekend.

Happy reading, happy writing.

In Memoriam: Adrienne Rich

“It’s exhilarating to be alive in a time of awakening consciousness; it can also be confusing, disorienting, and painful.” — Adrienne Rich


source: Jezebel (re-sized here)

When I heard that Adrienne Rich had died (March 27), I immediately re-read some of her poetry, which I hadn’t done in a while. And after I’d read it, I thought about words I would use to describe her and what she wrote. I came up with several: fierce, brave, uncompromising, intellect, passion, visionary, unrelenting, inspiring. There are many others, but because of her work as a poet, it’s not necessarily about how many words you place on a page. It’s the words you choose and how you place them.

Continue reading

Have an affair…with your muse

Hey, peeps–

I have a few things I do before I sit down and start writing. Not sure whether “ritual” is the right word, but it involves preparing my space, getting things in order, and creating a welcoming environment not only for me, but my muses. I was thinking about that and BAM came across this blog at The Write Practice about your relationship with your muse, and 7 reasons she might not be talking to you. Or, if your muse is male, why he isn’t talking to you. For ease, we’ll stick with a female muse.

Here are a few things that might make your muse cranky, according to the blog:

We refuse to work until she shows up.

We put demands on her, like a perfect first draft or we demand that she show up whenever we want her to, and we expect she’ll drop everything to accommodate us.

We dink around on other things on the computer or whatever during the time we’ve committed to her.

We don’t pay attention to her or note the ideas she gives us nor do we give her credit when we create something.

Basically, treat your muse the way you would treat someone special in your life. Why the heck would your muse want to hang out with you if you diss her and diss your writing by not making time or space for it?

The reality is, your muse is only as good as you make her feel. And if you don’t treat your writing like the gift it can be, you’re going to end up with a muse who doesn’t give a rat’s ass, either.

Think about that. If you create the time and space for your writing, and treat it as something more than just sitting around playing on the computer, you create the good ju-ju (for lack of something more scientific) for your creative process (note the number of times I used the word or root CREATE in that sentence).

So if you’re having a difficult time and the muse isn’t talking to you, maybe get her some metaphorical flowers and make a date night. And make that a habit. See if you don’t notice an improvement in your relationship.

Happy writing, happy reading!

An ordinary, extraordinary life

Hi, folks–

Major hat tip to Caitlin Kelly, whose blog, “Broadside,” I follow. She posted about an amazing article from the Toronto Star. Or rather, a wonderful tribute to a woman who loved and lived fiercely, and who touched many lives.

Here’s the direct link to this astonishing piece of writing and journalism, this rumination over a woman’s life through those left behind. A reporter at the Star became interested in Shelagh Gordon through her obituary, and decided to find out more about her. The Star interviewed more than 100 friends and family members, to show how a seemingly ordinary life can have an incredible impact.

I’ve posted the beginning below, but please do click the above link to read the rest of it.

“Shelagh was here–an ordinary, magical life”
by Catherine Gordon

I met Shelagh Gordon at her funeral.

She was soap-and-water beautiful, vital, unassuming and funny without trying to be. I could feel her spirit tripping over a purse in the funeral hall and then laughing from the floor.

She was both alone and crowded by love. In another era, she’d have been considered a spinster — no husband, no kids. But her home teemed with dogs, sisters, nieces, nephews and her “life partner” —a gay man — who would pass summer nights reading books in bed beside her wearing matching reading glasses.

Her relationships were as rich as the chocolate pudding pies she’d whip together.

She raced through ravines, airports and wine glasses (breaking them, that is). She dashed off dozens of text messages and emails and Facebook postings a day, usually mistyping words in her rush to connect.

Then, every afternoon, she’d soak for an hour in the bath while eating cut-up oranges and carrots and flipping the damp pages of a novel.

She called herself a “freak,” at first self-consciously and, later, proudly.

But my sharpest impression of Shelagh that day, as mourners in black pressed around me, was of her breathtaking kindness. Shelagh was freshly-in-love thoughtful.

Godspeed, Ms. Gordon. The world is a richer place for you having been in it. May we all live ordinary, magical lives.