5 contract tips for first-timers

Hey, peeps!

A colleague of mine and I were talking recently about things like contracts (woo. We’re wild, I know) and it occurred to me that maybe I’d do some tips for you regarding those.

Before I do a brief checklist, Women and Words has a post from a few years back on contracts, done by writer Fran Walker. Check that out HERE. A lot of that still stands, if you’re an author who is considering working with a traditional house. To be clear, I’m not weighting trad over indie here. Not at all. I myself am a hybrid (I do both trad and indie). I’m just offering some tips if you’re considering working with a traditional house.

Also, see my previous link HERE regarding things to watch out for in contracts. This post here is geared more toward the first-time author, but hey. It’s always a good thing to revisit stuff like this.

Okay, so let’s say you approached a trad house and they read your submission and they dug it, so they’re going to offer you a contract. You get that contract via email and you’re all stoked. What should you do?

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Contract killers: more on publishing

Hi, peeps —

I’ve been thinking about publishing contracts over the past few weeks (ooo! Exciting!). Not because I want to sign you up for one. But rather because I’ve seen a lot of them and I’ve even drafted a few of them during my publishing days. And one of the things I’ve noticed is that a lot of times, they’re heavily weighted toward the publisher.


I bring this up here for authors to think about, but also so readers can get a sense of a little bit about a publishing contract and what kinds of things authors find in them. And some of you readers may be future authors yourselves, so hopefully this might be helpful for you. 🙂

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