Cool blog with some good writing tips

Hi, folks. Monday and it must be a writing tip day. Looks like a lot of other bloggers do that, too, and here’s Maria McKenzie with a really good one from Read and Write Romance at Blogspot:

AVOID PERFECTIONISM.

Here’s the link to her blog.

Using Anne Lamott’s points about avoiding perfectionism, McKenzie notes:

Being too tidy, according to Ms. Lamott, suggests that something is as good as it’s going to get. In a previous post here, not looking back when writing a manuscript was discussed.

The important thing is to finish. Plow ahead, make a mess! Don’t worry about every little detail or whether or not it’s polished enough. That comes later, at revision time.

Have fun with that first draft; avoiding perfectionism allows a really great story to unfold! Do you struggle with perfectionism? Thanks for visiting and have a great day!

So true. Thanks, Ms. McKenzie. And thanks, too, Ms. Lamott.

Quickie Writer Tip

Hi, folks–

I find short stories really difficult to write. I don’t really consider myself that good at them, and it’s an art form I’d like to get a handle on. So I came across this blog today that provides some good fuel toward that goal:

Short Stories: 10 Tips for Creative Writers

Good stuff. Like, doing catchy first paragraphs. And emergency tips, like getting your theme nailed down ASAP. Oh, and developing characters (basically, you need to know way more about your character than you’ll use in the story). Includes tips on dialogue, point-of-view, and how to use setting and context.

So there you go. Get crackin’ on your short stories! (ditto for me)

Oh, and don’t forget the “Blog the Alphabet” tour is under way at Women and Words. Today’s letter is D!

Happy writing, happy reading!

Things writers should NOT do

Hey, folks–

You may have heard this one before, but here it is again. This link has been making the rounds through the writing/reading community as an example of how authors should NOT respond to reviews.

Yeah. Um…I’m embarrassed for this author, who ends up coming across as, unfortunately, unprofessional and unable to deal with critique, whether constructive or not. The author then made it a lot worse and responded in the comments section (more than once), with more of the same behavior. Yikes! The author even told someone to “f*** off.” Holy career enders, Batman!

Give me more! Yes, more! Click on…

Continue reading

Monday writing tips

Hi, folks. Howsabout these greats from the greats?

I’m particularly enamored with Mark Twain’s:

Substitute “damn” every time you’re inclined to write “very;” your editor will delete it and the writing will be just as it should be. ~Mark Twain

That’s from tip 2, “eliminating unnecessary words” like “actually,” “very,” and “really.”

Checkov’s exhortation to SHOW, don’t tell:

Don’t tell me the moon is shining; show me the glint of light on broken glass. ~Anton Chekhov

That’s tip 4: “Simply stating something is fine, but when you need to capture attention, using similes, metaphors, and vivid imagery to paint a picture creates a powerful emotional response.”

Good one from Ray Bradbury: You have to know how to accept rejection and reject acceptance.
Lesson? “Learn to thrive on criticism. Writing means putting yourself at the mercy of anonymous hecklers and shameless sycophants. Learn to make the most of the insults and distrust the praise.”

Check out the rest of the list here.

Happy writing!

Intriguing writing tip: how police reports teach narrative voice

Hey, all–

I’m a member of the Association of Writers and Writing Programs, and they put out this fab publication called Writer’s Chronicle. I bring this up because in a recent issue, there was a super-cool essay about how police reports can help earn the craft of writing. The piece is called “Inflection and the Narrative Voice: the LAPD Teaches Creative Writing,” written by fiction writer Ellen Collett.

I write crime fiction — specifically the books in my New Mexico series that star Albuquerque homicide detective Chris Gutierrez (State of Denial and the forthcoming 4th book, whose title is secret at the moment) — so Collett’s article was like an interrogation lamp shining on an aspect of craft I hadn’t considered.

For more info on the article, go to this short piece at Utne Mag. At the bottom there you’ll find a link to “Inflection and the Narrative Voice.” It’s a .pdf that Utne’s posting. Otherwise, you can’t really access the piece readily because you need to be a member of AWP to access certain materials from the magazine, like this piece.

Quote from the Utne piece:

But let me back up: Ellen’s essay—and an essay it is—reveals what she’s learned in her day job in crime analysis at the LAPD. Monday through Friday, Ellen reads incident reports, required of every officer for every event to which he responds. “Surprisingly,” she writes in both versions of her piece, “writing is the one constant in a cop’s daily life.” Not only that, standards are high at the force. The LAPD prefers action verbs and insists that officers avoid modifiers, which Ellen explains are “slippery and subjective.” Adjectives are also out, unless they “pertain to direction, color, or amount.” But even within these constraints, some writers are more compelling than others; so it is, Ellen demonstrates, with Officer Martinez, because, though he conforms to the rules, his “choices are idiosyncratic.” Where his partner, Officer Brown, “offers a fact, Martinez paints a picture,” she writes, and she goes on to show us how.–Dinah Lenney

Anyway, I love stuff like this. New views on craft. Happy writing! (and reading)

Writing tips–need a quickie prompt?

Hey, all–feeling cranky and dispossessed? Just want a quickie little prompt to give you some writing oooomph?

Check in with Writer’s Digest bloggers, like Zachary Petit. Today’s prompt involves an author, an ocean, and a weapon.

Here’s the link to his blog.

And here’s the link to Writer’s Digest, which is a good resource for writers.

TIPS: Submitting stories to anthologies

Originally posted March 23, 2009 at andimarquette.com. It was updated to reflect accurate chronology.

As you know, I post tips here on a variety of things related to writing, whether craft or the business of publishing. Today I’ll be talking about the business end of things; specifically, submitting a short story to an anthology.

Wanna know more? Keep on readin’!

Continue reading

Say What? Tips for writing (hopefully) good dialogue

Originally posted March 15, 2009.

All right, friends! So let’s do some more “how to write” kinds of things. Or rather (and hopefully), how to maybe write better. We’ve already discussed POV (point-of-view) and headhopping and why it might be important to stick to one POV at a time (that is, one POV per book/chapter/scene).

The thing about the craft of writing is that different elements tend to intertwine with each other. Today, we’ll be working with dialogue, and as you’ll see, effective dialogue relies, to an extent, on consistent, focused POV. Why? Think about it. If you’re consistent with one POV, then one character per book/chapter/scene is the focal point of a scene and a reader doesn’t have to worry about getting jerked into another character’s head in that same scene. If you’re headhopping (refer to Part 2 of POV above), then you have to keep a reader from getting confused during dialogue, which means you as a writer will probably have to resort to stilted, awkward dialogue constructions like constantly using names in dialogue, even if there are, say, only two people in the room.

Want to know more? Cool. Click on!

Continue reading

Elements of Writing: Headhopping

Originally posted Oct. 8, 2008

Greetings, all. Thanks for stopping by. Let’s talk about another element of POV, shall we?

I tend to be a little ol’ skool in some ways in that when I write POV, I stick to one person’s POV (one person’s head) at a time. The reasons for doing this are that it keeps me as a writer focused, and it allows the reader to really bond with that one character, rather than getting jerked out of someone’s head and flung into someone else’s. When you do that–jump from one person’s thoughts to another person’s thoughts and back again in the same scene (sometimes the same paragraph/sentence)–it’s called “headhopping.”

So come on down and let’s have a chat about it, yeah?

Continue reading

Elements of Writing: Point of View

Originally posted September 17, 2008

Hi, all. Thought I’d actually start doing some stuff related to writing over here. As you may know, I’m also an editor. I spent about 13 years in publishing–mostly academic, but I also did mainstream freelancing, which I’m doing all the time now. I edit for academic and mainstream presses as well as individual clients. So yeah, fiction AND nonfiction.

So let’s talk a bit about fiction writing and point o’ view (POV).

Wanna know more? Click and go!

Continue reading