An ordinary, extraordinary life

Hi, folks–

Major hat tip to Caitlin Kelly, whose blog, “Broadside,” I follow. She posted about an amazing article from the Toronto Star. Or rather, a wonderful tribute to a woman who loved and lived fiercely, and who touched many lives.

Here’s the direct link to this astonishing piece of writing and journalism, this rumination over a woman’s life through those left behind. A reporter at the Star became interested in Shelagh Gordon through her obituary, and decided to find out more about her. The Star interviewed more than 100 friends and family members, to show how a seemingly ordinary life can have an incredible impact.

I’ve posted the beginning below, but please do click the above link to read the rest of it.

“Shelagh was here–an ordinary, magical life”
by Catherine Gordon

I met Shelagh Gordon at her funeral.

She was soap-and-water beautiful, vital, unassuming and funny without trying to be. I could feel her spirit tripping over a purse in the funeral hall and then laughing from the floor.

She was both alone and crowded by love. In another era, she’d have been considered a spinster — no husband, no kids. But her home teemed with dogs, sisters, nieces, nephews and her “life partner” —a gay man — who would pass summer nights reading books in bed beside her wearing matching reading glasses.

Her relationships were as rich as the chocolate pudding pies she’d whip together.

She raced through ravines, airports and wine glasses (breaking them, that is). She dashed off dozens of text messages and emails and Facebook postings a day, usually mistyping words in her rush to connect.

Then, every afternoon, she’d soak for an hour in the bath while eating cut-up oranges and carrots and flipping the damp pages of a novel.

She called herself a “freak,” at first self-consciously and, later, proudly.

But my sharpest impression of Shelagh that day, as mourners in black pressed around me, was of her breathtaking kindness. Shelagh was freshly-in-love thoughtful.

Godspeed, Ms. Gordon. The world is a richer place for you having been in it. May we all live ordinary, magical lives.

Characters and historical context

Hey, kids!

I heard a story on NPR on Saturday (yeah, I’m a geek. I listen to NPR on the weekends!) about the approaching “cashless society.” This dude tried an experiment, where he didn’t use cash for two months. He has a smart phone with the apps that allow you to purchase things with the codes, and he liked the ease of not carrying cash around, but some things, he noted, needed cash. For example, tipping. He ended up having to stiff people, and that really bothered him. And he also noted that some people still prefer the anonymity of cash when making purchases, and he acknowledged that with cash, there are no hidden fees. It is what it is.

The story got me thinking. I still carry cash for tips and small purchases, and “just in case.” I never travel without cash, and I never leave the house without at least a few bucks and some change. Call me weird. It’s how I grew up, and it’s a habit I’ve refused to break.

So what does this have to do with writing characters? Well, click on and find out!

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Writing Tips: the importance of craft

Hi, kids–

I have a spiel I use with new-ish authors with regard to the craft of writing. I tell them that there are certain rules that apply to writing. Rules of grammar, rules of spelling, rules of sentence structure, paragraph structure, story structure. Back in the day when public education was actually education all over the country, I learned all of these rules in both elementary school and high school. I diagrammed sentences out the ying-yang, and took courses in high school that delved into the origins and roots of words (in the English language).

These are things everybody should be learning at least in high school English.

Want more? Click on!

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Technophobia

Hi, kids!

Hope everybody had a fab weekend. I am writing this on an iPad, with a wireless keyboard. Because of that, I’m not quite rockin’ yet with inserting images and stuff like that. It’s also weird using the ol’ fingertip on the screen as a mouse. I’m working on it, though! I also have a bunch of tech craziness going on, and because a lot of you are writers (or maybe you’re just techies), read on for more of my travels and travails with gadgetry.

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Back Up: ergonomic inclinations for writers

Hi, kids–

As writers, we sit. A lot. At least, the vast majority of writers that I know do that. Their workspaces are generally chairs and desks or chairs and tables. Point being, the workspaces involve chairs. And keyboards. And holding our wrists in specific ways. And sitting.


source: Productive Writer (resized here)

However, I rarely hear my writerly colleagues talk about proper positioning at a workspace, or a chair that properly supports their backs, or a keyboard pad to help writers keep their forearms and wrists in good form. And that’s a shame, because sitting is one of the worst things that Americans do to their backs. And writers have to do that a lot.

Read on.

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Drama at the end of the world

Hey, kids–

Have you been watching the continued second season of AMC’s Walking Dead?

That is some serious drama. It’s not just about zombies and avoiding them. It’s about negotiating and creating new social and cultural rules in a world that no longer has any. Humans are a remarkably drama-laden species and sure enough, we’re bound to bring that into the post-apocalyptic landscape. In crisis situations, I think the true essence of people starts to emerge and adjust to the new conditions. Issues that we had prior to the apocalypse might be exacerbated, which might also create problems if we try to make a go of it in a group situation.

But as I’ve noted in many of my end of the world spiels, other surviving humans are probably going to be the worst thing to deal with. No rules means your life isn’t worth the energy it takes to work up a spit, so don’t rely on appealing to anybody’s higher angels. You are a potential threat to their limited resources, a potential threat to their safety, and a potential threat to the delicate dynamic they’ve already worked out with whatever group (or not) they’re running with. So do no expect help from other survivors. Chances are, you won’t get it. And the longer a post-apocalyptic situation goes on, the more likely that survivors will continue to descend into more feral behaviors.

Want more? Keep on!

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Do writers need an iPad?

Dude, like, I don’t know.

Many writers have them, and Chuck Wendig points out in this great blog how he views his — a tool. A penmonkey for the penmonkey, but he notes that it’s not going to replace his desktop as his primary writing tool.

I’m currently in the midst of a major tech upgrade. My desktop is going on 8 years, and that’s practically a geologic eon in PC terms. I’ve already decided to upgrade to a Mac desktop, because I still do the brunt of my writing on my desktop and my trusty MacBook. The latter is also in need of an upgrade. It’s about 7 years old and I’m still using Leopard OS, which makes it far less compatible with things like Firefox (which I prefer to Safari on the Mac, but that’s just me). I’ll be putting more memory on my laptop and upgrading the OS because it’s still a great tool and it still keeps on trucking.

And I recently succumbed to an iPad. I got it for a couple of reasons. My laptop is heavy, and when I travel, I can’t stand checking email on a phone-sized device. I also blog when I travel, and it’s a lot easier to do that on an iPad than on a phone. I do not consider an iPad a primary writing tool, though I see Wendig’s point in its usefulness as a supplement. It is kind of a cool research tool, and it is a fun entertainment device. In terms of stuffing it with apps, I’m just not really into that. I have a few — Pandora, Netflix, Kindle, and iPad books. I’ve installed Dropbox and also a fun little DJ app because that’s one of my OTHER hobbies. I do like being able to check email and blogs while traveling, and because it’s not nearly as heavy as my trusty laptop, it’s easy to travel with, even when I opt to bring the wireless keyboard. Typing on an iPad screen is a freaking joke for me. It’s a hunt-and-peck kind of situation, and I am a full-blown typist, which is why I opted for a wireless keyboard.

I have a feeling that in the near future, your tablets will have the capability to project a keyboard onto a tabletop, and I’m pretty stoked about that innovation. Here’s hoping it’s soon. In the meantime, I’m using the actual keyboard. Oh, wait. My bad. That projected keyboard is already hitting the market. Here. That technology, however, is going to get better.

So, do writers need an iPad? No. Nobody really NEEDS an iPad. The question is how it will supplement what you currently do, and whether it can make some of what you do easier or less time-consuming. Those are personal assessments, and I certainly didn’t run out and buy an iPad just because OMG new technology must have must have! It’s been a couple years since they’ve been on the market, and I’ve been assessing them during that time. Because I travel a lot, an iPad will help me keep in touch via email and give me the capability to blog without having to take my laptop along. It also takes pretty good pictures, but it’s an awkward device on which to do that. Sort of like holding up a baking tray to snap a photo. It’s a good device to communicate in real-time with people, given its screen/camera capabilities, but I don’t generally do a lot of that.

Will I write novels on it? I doubt it. I may be able to hammer out a short story, but there’s the issue of compatibility with my other machines and Word, which is my primary tool. I’ve tried others, but sadly, Word is still providing decent compatibility between Mac and PC, and that’s useful because so many people are on PC. I know some writers email files to themselves via their iPads and then open them and format them on their laptops/desktops, but isn’t the point of the iPad to make your life easier? Hopefully Apple (or somebody) will develop a better writing app for the iPad that will interface more smoothly with laptops/desktops.

Ultimately, what you use with regard to tech is a function of how you operate. I don’t honestly think writers NEED iPads as primary writing tools. I don’t view mine as that. As a supplement, sure. As an entertainment device, sure. Some professions (like medical and law enforcement, e.g.) find tablets really useful in terms of cutting time and using data. But in terms of what I do, no, an iPad does not cut my time with regard to writing or editing. It does provide some useful tools — as a writer, I use email and social networking quite a bit, so when I travel, the iPad will be handy for that. Otherwise, my laptop and desktop remain my primary writing tools.

Not to suggest that won’t change in the future. But for the moment, that’s how it is. Oh, and for the record, I do not own a smartphone. 😀

Anyway, happy reading, happy writing, happy tablet-ing!

In Memoriam: Whitney Houston

Hi, all–

I’ve been putting this one off, too, because, again, there are never just the right words when someone leaves this mortal coil.

I watched part of Whitney Houston’s funeral yesterday, which was live-streamed. I decided I appreciated that, and it was comforting, to hear all the music because that’s really how I’ll remember Whitney — through music, and through the legacy in it that she left.

Yes, I know. She battled many demons, just as so many of us do. She waged her battles in ways that weren’t always the best, and that may have ended up causing her more harm than the demons themselves, but that could be anybody’s story. Any one of us could have lived those aspects of her life, and many of us, I’m sure, have. Some of us beat our demons. Others come to an uneasy peace with them. And still others can’t do either.

The thing I will remember most about Whitney is the sheer, unadulterated, soaring beauty of her voice. Her three-octave range. The technical virtuosity of her sound, with the soulful gospel underpinnings. The exquisite clarity. A voice like that appears once a generation, if we’re lucky, and even when I was in high school and then college, I knew there was something special about Whitney Houston’s voice. Any time a Whitney song came on the radio throughout the 80s or 90s, you knew exactly who it was. Nobody else sounded like Whitney. Nobody else came close. Even now, listening to all the tributes to her through various media, you will not ever mistake Whitney Houston’s voice for anyone else’s.

We’ll never know what demons she battled. And in the end, it doesn’t matter, because she left a legacy through her voice, and through the smooth but somehow approachable elegance of the persona we were allowed to see in the initial years of her career. Whitney Houston’s voice and performances blazed a trail for voices behind hers, in women like Mariah Carey, Beyoncé, and Christina Aguilera, who unabashedly acknowledge it.

Houston was the first African American woman to receive heavy rotation on MTV, and every single one of her albums has diamond, multi-platinum, platinum, or gold certification. She is also the most awarded female musical artist in history, with over 400. The 1992 movie The Bodyguard introduced her as an actress, and she’d appear in a few other movies after that. Her performance of “The Star-Spangled Banner” at the 1991 Superbowl hit the top of the charts, a salve for a nation entering military action in the Gulf War. After 9/11, that 1991 version of the anthem again hit the top of the charts, as a nation struggled through the horrifying after-effects of the largest terrorist attack on US soil.

Understandably so. Her voice — THE Voice — could both uplift and soothe, provide succor and respite. That voice could also make you dance, smile, and just feel good about your day. Whitney Houston and her voice could make you feel all of these things. That was the magic of The Voice. That was the magic of Whitney Houston.


link, “I Wanna Dance with Somebody” (1987)


link, “Savin’ all My Love for You” (1985; sorry about the ad before the song)


link, “I’m Every Woman” (1992)

And the song I consider her signature tune (written by Dolly Parton), in terms of the pinnacle of her vocal athleticism and soulfulness (and one that now tears me up every time I hear it):


link, “I Will Always Love You” (1992)

Mars, baby.

Hi, kids–

As some of you may know, I cut my spec fic teeth back in the day reading everything I could get my hands on that was written by Edgar Rice Burroughs. ERB was doing most of his writing from about 1912 to the mid-1940s. He wrote classic pulp fiction, which is what I try to model my space opera series, the Far Seek Chronicles, after. That is, in terms of his spec fic, high adventure, high drama, and amazing settings.

And c’mon. You know who this guy is. He’s the creator of Tarzan. But he’s also the creator of myriad other worlds, including a vision of Mars that his Earthling character, John Carter, had the opportunity to visit and make part of his life.

I also want to be clear. ERB was writing at a time when it was okay and even expected to be racist and sexist. ERB himself leaned toward eugenics, as author John Taliaferro notes in his biography of the writer. (read chapter one here) So yes, these books are racist and sexist, some more blatantly than others. But they’re also highly imaginative, with amazing creatures, characters, and settings. ERB was definitely a product of his time and background, which certainly doesn’t excuse some of the things in his books, but hopefully, it explains it to you, people who may not be familiar with his work. As much as we don’t like to admit it, writers are products of their times and contexts, too, and yes, that can and does get reflected in our writing.

There’ve been tons of Tarzan movies over the years, but here, at long last, is a movie version of what I’m guessing is the first book in ERB’s Mars series, though the title’s wrong. The first book in the Mars series is A Princess of Mars, and it was published in 1912. This was the first novel ERB wrote. So though he’s known more for the Tarzan series, he was writing the Mars series as well.

The premise of the Mars series is John Carter, a veteran of the Civil War (who fought for the Confederacy). After the war, he goes prospecting in Arizona and ends up in trouble with some Apaches. He hides in a sacred cave and there’s something hinky/freaky in there, because BOOM he’s transported to Mars (Barsoom), which is a dying world ravaged by war (and awesome characters and creatures). Because he’s from Earth, he has amazing powers in the low gravity of Mars. He gets caught up in the battles for justice, and there’s all kinds of adventure and some romance, too.

The title of the movie is John Carter, and I’m thinking that probably it’s an amalgam of several of the books, though I could be wrong and it could be based on the first book in the series. Princess of Mars celebrates its 100th birthday this year, and Library of America will be releasing a special commemorative hardcover edition. Kinda cool. And kinda neat that this movie will be released March 9th. ERB fans, rejoice! Let’s hope this one does the pulp fiction master proud.


linkie