On editing

Howdy, peeps!

Every now and again I ask readers and colleagues what they’d like me to blog about in an upcoming piece. This week, I’m addressing a question that a reader on Facebook posted to my “YO! WHUT SHOULD I BLOG ABOUT?” question.

That question is: “When you edit for others, what do you find most challenging?” Thanks, Joan, for posing that.

I think I’ll answer this question by first explaining a bit about how I edit a project. Once I have the project in my email box (because that’s pretty much how it works these days — if you want a trip down history lane, ask me how to do hardcopy editing), I download it and here’s what happens. . .

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Okay, maybe not THAT. Heh. But you never know. Anyway, let’s continue.

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Let’s write about…SEX!

Hiya, peeps!

I’ve been working on a scene in my latest romance that’s been really difficult for me to write. Why?

BECAUSE IT’S GOT SEX IN IT.

Now, before you freak out and think I’m all kinda prudey or something, chill, friends. Not the case. The sitch is, writing sex scenes is difficult. Let me amend that. Writing GOOD sex scenes is difficult. Or perhaps I might even mean EFFECTIVE sex scenes.

And this scene has been a pain to work on because it involves a lot more than just a “do me now” kind of scenario. These characters have a history, and it’s a hell of a lot more than just sex that’s involved in this scene. There’s a lot of emotional stuff going on, and some unpacking of baggage. Not all sex, obviously, is like that in romance or erotica. Which got me thinking about the different types of sex scenes and how to approach them as a writer.


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So I came up with some questions to ask yourself when you’re writing a sex scene or thinking about writing one (and no offense to M/F or M/M writers; some of this is a little more F/F specific).

(Heh. Read on to see the questions)

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People and places

Hi, all —

I’ve been thinking more about characters, and how to inject authentic regionalisms into yours. That is, how to make a character sound and act like he or she is a product of a specific place and culture.

To that end, I read journalist/writer/speaker/all around awesome woman Caitlin Kelly’s blog today, and it seemed to resonate with what I’ve been mulling. Her latest blog is about defining “New York-ism.” That is, what defines someone as a New Yorker? And then she lists several things that New Yorkers might say and do, and the reasons behind them. Go have a look. See what you think.

And keep reading, if you want to see where the hell I’m going with this. 😀

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Left Coast!

Hey, all —

Whew. The first Left Coast Lesfic conference came and went, and wowzers, what a blast! Before I get into the overview, I just want to profusely thank Sapphire Books for putting this event together; all the authors and readers who participated; and the host hotel and staff: Casitas Laquita.

And thanks to Luan, the book vendor who came down from Oakland!

People. We held workshops and panels right out by the pool. How much more awesome could that be? Everybody was relaxed, having fun, and engaged. Because of the mellow atmosphere, it felt like a writing-themed vacation, and I can’t tell you how great that was. Here’s hoping for a repeat next year!

Also, the silent auction (which included things like wine and book gift baskets and some more RACY things) raised nearly $500 for the local LGBT community center, which worked with Sapphire Books to help pull this event off. THANKS, everybody, for your generosity!

Here was our workshop setting:

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Why, yes. Yes we DID enjoy ourselves.

But we also did some WORK.

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Writing builds character.

Hi, peeps!

If you’re headed to the Left Coast Lesfic Conference, I’ll see you there!

I’m slated to do a workshop on character. That is, developing them. Making them groovy for sexy-time reading. Making readers WANT to follow your characters and find out where they go, whether they grow, or even if they fall.

So I’ve spent some time thinking about how to create and convey character, how to capture it, and how to hold on to it and make it arc logically and effectively. And we’ll talk about that in the workshop. But for those of you who can’t make it, here are some things to think about when you’re embarking on a writing journey.

I’m one of those writers who thinks that setting is absolutely key to your story. For me, characters and story can emerge from a setting. Characters are products of a setting, its history, its culture, and regional flavor. Alternatively, a character from somewhere else entering a new setting will be bringing his or her own background and context into that new place. You’ll need to think about how that plays out in the story arc and the character arc.

If you’ve decided on a setting for your story, and you’ve got a rough idea of a plot and some rough ideas about characters, then start fleshing out your main character. You’ll need to figure out what makes this person tick in order to make your readers care about his/her trip through your pages. So if you choose to read on, you’ll find 10 tips from Auntie Andi to help you think about characters, and how to flesh ’em out.

The big, existential question is always: Who is this person?

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So let’s dissect that.

1) Name? Some writers don’t care about names, and they’ll take the first one that comes along and slap it onto a character. Or they’ll name a character something unconventional, thinking it’s oh, so cool that their main character, a corporate lawyer, is named Talyn Tigerfoot. Not that there’s anything wrong with that, especially if you can actually make that work for the character. But if you can’t, it ends up being jarring for a reader. At any rate, I’m not that writer. I spend some time thinking about names and what the sound of it conveys to a reader and whether it “matches” a character. If you’re not quite sure what I’m getting at, try the tips HERE.

2) Where does your character live and is that going to be the main setting of your story? If so, think about regional quirks — how certain communities do things, what sorts of things they do, and how those are going to find expression in your character.

3) Place of origin? (if, say, he or she is a stranger in your setting or grew up somewhere else). Where a person is from determines a few things like expressions he or she might use in speaking, and things like recreation and hobbies. Growing up on a coast is very different than growing up in a mountain community, for example.

4) Age? Yeah, obvious, right? But think about that. A character’s age is going to determine a lot of personality quirks. Older people might not be all into the smartphone thing, might prefer books to ereaders, and are definitely going to speak differently than younger. And they’ll have a lot of pop culture references that younger characters don’t, and vice versa.

5) Background? That is, did your character struggle in rural poverty for her formative years, for example? Or has she always struggled? Would you classify her as working class or middle? Or is she from a wealthy family? These determine how your character might react in different situations. If your character is from a rural agricultural community, she might be extremely uncomfortable in cities. If she’s from a poor family, she might have some issues around people who come from money. Likewise if your character was unable to go to college but ends up in a situation where she has to deal with other characters who did go to college, and who move in very different circles.

6) Occupation? This depends on age, too. If you’re writing young adult fiction and your main character is a young adult, then ask yourself about the school your character attends and what his or her favorite subjects are and what their activities are.

7) Personality traits? Think about 3-5 of these. For example, is your character easygoing or uptight? What sorts of things push his or her buttons and what are those buttons? What is something that’s been bugging her since childhood that she’s still working through? What’s that chip on his shoulder? How does your character deal with change or crisis? Things like this can also drive the arcs for your characters, and will be an integral part of the story.

8 ) Who else is in your character’s life? No one lives in a vacuum, after all. Even if your character is currently alone, shipwrecked on an island, she’ll be thinking about her friends and relatives. And a character can also have relationships with memories and people who are no longer alive. People who have died in your character’s life will have an effect on how that character reacts to things, and might trigger memories that will enrich or add tension to your story. So yes, dead people in a person’s past do count as being in your character’s life.

9) What does your character look like? Sex, age, ethnic background, race? These all play a role in how your character perceives herself and how the world and other characters are going to perceive him or her. A character’s sexual orientation and gender identity will play a role, too, especially if your character is a sexual minority. All of these will help determine what your character looks like, how she dresses, and how she presents herself to the world. I tend to know what my characters look like physically, but I generally don’t try to convey that exactly in my work, because I’d like readers to develop their own sense of how that character appears and how he or she negotiates the world. I’d much rather a reader come to know the character through his or her way of speaking, their friends and relatives, some of the things they like to wear, what they like to drink or eat, and what they think about, as well as how other characters react to him or her. But it depends on a writer’s personal style as to how he or she approaches this. All that said, it’s a good idea to have in your own mind an idea of what your character looks like, because physical appearance can and does play a role in fictional life as well as in real life.

10) Habits/quirks? Does your character smoke? Does she drink to excess? Or is she a little uptight about booze because she grew up in an alcoholic household? Does she like dogs or cats? Both? Does she have any kind of animal in her life? Does she like camping? Or maybe she’s into bowling. Be careful, though, and don’t go overboard with habits/quirks, because that might get in the way of your character arc. But it helps me develop a better sense of my characters if there’s something they do or say that makes them stand out from other characters. It doesn’t have to be flashy and it doesn’t even have to be something that’s intrinsic to that character. It can be something a character does habitually in relation to somebody else. For example, in my short story “Dinner Party,” when Shay goes to her neighbor Brisa’s dinners, Shay generally helps clean up. It’s an unspoken sort of agreement the two characters have. But it’s a habit, and it tells a reader something about these two characters and the level of intimacy they may or may not have.

Final thought on that? Balance. Don’t make your character one big quirk with nothing beyond that. So be careful with your quirks. If your character is eccentric and has a lot of quirks, don’t forget there’s a person underneath all that. Get to know that person and then layer the quirks in as you get more familiar with your character.

With that in mind, it might prove helpful for you to use a questionnaire to get your characters’ backgrounds sketched out. Gotham City workshops have a pretty extensive one. Check it out.

A few other links to help you think about writing characters:

Writing Room
Sophie Novak at The Write Practice
Darci Patterson has bunches of writing character tips. Start here.
Brian Klems at Writers Digest with a nice character arc/character discussion.

Go forth and write! And read! And have fun doing it!
Happy Wednesday.

Left Coast Lesbian (Fiction) Conference & other stuff

Hi, all —

If you’re in the Palm Springs, California area and you’re interested in lesbian fiction and writing/reading, you might want to check this event out.

The Facebook page link is HERE.

There are panel discussions and presentations on lesbian-centric fiction, writing, editing, and publishing. Plus, lots of entertainment and fabulousness (full disclosure — I’m one of the keynote speakers). Thriller author Amanda Kyle Williams is a special guest speaker. And how about the opening reception? Check this out. Guess I’d better drag out the evening gown…heh.

Some more info can be found HERE.

I’ll be on the road mid-week for Palm Springs, and then I’ll do an update when I’m back.

In other news, the Golden Crown Literary Society has started taking nominations for awards. Information HERE. Your deadline to get fees and nominations in is JANUARY 21, 2014. For our overseas friends, 21/1/2014. 😀

In still other news, my fourth NM mystery, Day of the Dead, is slated for release in November.
DoD cover

I’ll be posting an excerpt as soon as I can. In the meantime, here’s a synopsis:

When a man is shot to death in his house near Albuquerque’s Old Town, homicide detective Chris Gutierrez is called to the scene with fellow detective Dale Harper to investigate. They soon discover that the murder victim may have been involved in human trafficking over the Mexican border, and that he may have attracted enemies in an underground network with its own code of honor. Did someone in that network kill him? Or did his past finally catch up with him? As Chris works to find answers, she also draws the attention of a local anti-immigrant blogger who will go to any length to post damaging and personal information about Albuquerque law enforcement officers, and she knows that her partner, prosecutor Dayna Carson, will be part of that campaign if the blogger discovers their relationship. She has to find a way to watch her back and keep Dayna and her friends and family safe from the blogger’s large audience and prying eyes, even as he dogs her every move.

From Albuquerque to El Paso, Chris is on the trail of a killer who seems to be able to disappear into the cultures on either side of the border, like a ghost or desert wind. Those along the border protect their own, Chris knows, but she has a job to do, even as she draws closer and realizes that sometimes, things aren’t what they seem.

Y’all have a fabulous rest of the day and happy reading, happy writing!

When writing is like a construction site

Hi, all —

So, yeah. Been keeping busy with some stuff. My latest mystery will be out in a month or so. Give or take (let’s hope it’s the give). And I’m working on a few different projects at the moment. One is really causing me angst. I like the characters, I like the overall plot arc, I like the setting and the romance (yes, it’s another romance), but like any project that sits a while, it needs work.

I wrote this novel back in…um…2009-ish or thereabouts and then it kind of sat around for a while on my hard drive, drinking beer and scratching itself while watching The L-Word and Ellen over and over again. I dug it out a few months ago because I knew it was time for it to get ready for its debut.

And time to gut a few parts of it and add some other parts. For some reason, that’s proven a bit frustrating for me. Okay, it’s pissed me off. I’ve gone rounds with this manuscript and with the characters. And now it’s time for more of that.

MORE BLOG THERAPY AHEAD!

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Angst

Hey, peeps.

All writers, I think, go through periods of angst.

Mine usually happen after I turn a manuscript in to a publisher (or, if it’s a self-published work, when I turn it over to the editor) and I start thinking that said manuscript sucks giant horse ass and WTF was I thinking, turning it in like that?


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The angst gets even worse when I start another project or resume work on one. Generally, after I finish writing a novel, I usually take about a week or two off from writing, and let my brain and muses recover. Unless something is totally demanding that I write it.

In this case — with my latest bout of angst — I took about 10 days off and then started doing re-writes on a project I hope to publish in the spring.

And I’ve had nothing but angst with this one, even to the point of actually not being able to sleep. Even though I really like working with these characters and this story.

The thought that dogs me: is this novel good enough? It has a lot to live up to, because the novella on which it’s based is proving to be rather popular with quite a few readers. I really like these characters, and I’ve been with them, now, for about seven years. I want to do them justice, and I want to do their story justice, but I’m freaking out that I’ll totally drop the ball and deliver a suck-fest.

And then I remember that I do this every time I finish a book. I write two series, and when I start the next installment in either, I freak out that it won’t be good enough, and that it won’t even make it up to what the others delivered (which I hope is good).

So I’m battling angst as I work on this particular project. The funny thing is, I had a serious case of angst when I released the novella on which this novel is based. The same kinds of freak-outs, the same feelings that I was sending my characters out into the world to get their asses kicked.

Maybe it’s just these particular characters. I don’t worry so much about the other ones. Maybe I worry about these because this storyline has a very special place in my heart, and I didn’t want to see these characters get their asses kicked. That is, I know that there are people out there who are not fans of what I write, and they’ll find fault no matter what I do. So I knew my characters would get smacked around a bit. And I know they’ll weather the storm, just as I do, but this particular storyline has really made me angsty, though I absolutely love working on it.

Upshot? Yeah. I’m in a writer-angst period. But that goes with the territory, in this writing life. I generally try to back-burner the angst and continue working on the project, but sometimes, the angst gets the better of me. That’s when I watch movies.

Any other writers go through angst?

In spite of all that, I hope everyone had a great weekend and that you’re recharged and ready for the week.

What’s in a name?

Greetings, peeperas y peeperos —

Hope you’re having a groovy day. I got to thinking about names and characters after the Royal Baby’s was announced. His name is still garnering some discussion on social media. “George” has a long history in the British monarchy, so that wasn’t too surprising. And most of the comments about it were along the lines of “good name,” “strong,” “masculine.” That sort of thing. The prince’s next two names are “Alexander” and “Louis,” which also got approval from the peasant peanut gallery around the world. Same reasons. When he takes the throne, he’ll be another “King George” (though I rather like “King Alex” myself).

Anyway, point being, lots of people got into the name game with the Royal Baby hoop-dee-doo. People were probably betting in Vegas on which names William and Kate would decide on, and I saw lots of discussion on social media about naming the baby and what names would be good and which ones would kind of suck. That is, not sound “royal” or “kingly” enough.

Which just goes to show you, names are important. Remember that Johnny Cash song? “A Boy Named Sue“? A lot of baggage came with that name. The kid spent his time seeking revenge on a father who abandoned him but managed to name him “Sue.” And in a society as gendered as ours, we all know what happens when a dude gets what’s considered a girl’s name. He’s considered “less than” a man, somehow “feminized” (as if that’s such a bad thing) whereas a woman with what’s considered a guy’s name doesn’t have to deal with the same issues. But gender hierarchies and social structures aren’t really the gist of my conversation here.

Rather, I’d like to talk about how names are indeed important in fiction.

So come on. Join me.


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