Writer, market thyself! And oh, yeah, lots of other stuff!

Hi, kids. I fell across fellow writer Chuck Wendig’s blog “Troubled Minds” via Twitter and this particular entry he did is SO true. It’s about all the hats writers have to wear in order to make it in this business. Which bites giant yang, but there it is. Here. Check it out for yourself.

Wanna write professionally? Then get your super toolkit ready. Zombie-killers don’t just rely on one weapon, after all. So you need your edit-skillz, bizness skillz, tech skillz for the networking, speakin’ skillz, and oh, yeah, mad writing skillz.

Like Chuck says, writers don’t just write. Bummer, I know. But there it is. Un-sugarcoated, baby! The real deal! Writers have to do stuff besides writing. So start working on that toolkit.

Sometimes pirates are so. not. cool.

Rant originally posted August 3, 2010 at andimarquette.com.

Hi, folks.

On June 28, 2010, a copy of one of my books was uploaded to a website that doesn’t do much by way of policing its users. That upload may have cost my publisher and me quite a few sales, because other users most likely downloaded it. My book wasn’t the only one there. I saw several titles by colleagues and I spent a lot of time alerting them and the publishers about what was going on in this dark corner of the web.

Here’s the thing. If you make unauthorized copies of something and then distribute it online, you are stealing. If you do not have written permission from the rights-holder(s) of that work to make reproductions and distribute it, you are engaging in theft and copyright infringement. If you are downloading pirated copies of stolen work, you are a thief, too.

This particular part of this particular site is geared toward lesfic readers. It’s also home to several users that I and a bunch of my colleagues are watching. A few of them are busy little pirates, and have over a hundred illegally reproduced and uploaded titles that they distribute to whomever wants them. A few are so out of bounds that they actually request a donation from downloaders. That’s right. They are making money off a book they did not write, they did not edit, they did not produce, they did not publish, they did not market, and whose copyright they are violating. That’s like coming into my house, picking up my wallet, taking part of my paycheck, and leaving.

Now, I don’t mind if people buy one of my books and share it with a few real friends. And I have been known to send free copies of my books to people I know who are having a harder financial time than I am, and who I know would buy that book if they could. So yes, pass it around among 3 or 4 of your friends. Talk about it. Recommend it. Enjoy it.

But don’t steal it. If you take that book, scan it, and post it online so dozens, hundreds, maybe thousands of people can read it, you have taken a lot of money away from my publisher and from me, and by extension, you’ve impacted your fellow readers who are supporting us by buying our work. Because if that publisher isn’t getting paid, she can’t stay in business.

This is lesfic we’re talking about. It ain’t a big community. Many readers meet their fave authors in person, as well as their fave publishers. For every hundred books that are downloaded for free, that’s a bill I’m going to have a hard time paying. Some of you may know my dog, Taylor. If not, you can find her on Facebook and find out some of the medical issues she has. Some of you probably have pets yourselves. My royalties–which aren’t much, because this is a small, select audience–help pay for her medicine. I don’t have kids. Taylor’s the closest thing I’ve got to that.

Every book you steal from me affects her, as well.

My royalties also help pay my rent. I’m extremely grateful that I get those royalties, because if I have any left over, they go into an emergency account.

Every book you steal from me diminishes my emergency account. And in this day and age, every bit you save is important.

My royalties also help pay for transportation to get me to work. I have to work. But I’m not making anything even close to a six-figure salary. I’m barely scraping by, like most of you.

Every book you steal from me means I scrape harder. I count on those royalties to help me with certain bills. But every book you steal leaves me tightening my belt a little more. And certain things, like Taylor, come first in my world. So do family emergencies. And sometimes there are car situations. Or plumbing problems. Like any of the many things that can crop up.

Every book you steal from me hits me where it hurts.

I, like 99 percent of my fellow authors, work a full-time day job. I try to make a lot of stuff available for free online for readers. There are also many, many sites that offer even novels that authors post–with permission–for people to see, read, enjoy, and share. But published works are a direct result of many people working to produce something. Producers work hard. And I, personally, think that paying producers for their hard work is a reasonable thing to do. It shows you support our missions, you support the publishers who are making lesfic available to you, and you would like to keep that author writing.

Every book you steal from me ensures that my publisher doesn’t get paid, I don’t get paid, and other readers suffer because without money to keep the publishers going, they can’t pay the producers, either, and thus another resource may tank.

Every book you steal from me screws us all.

TIPS: Submitting stories to anthologies

Originally posted March 23, 2009 at andimarquette.com. It was updated to reflect accurate chronology.

As you know, I post tips here on a variety of things related to writing, whether craft or the business of publishing. Today I’ll be talking about the business end of things; specifically, submitting a short story to an anthology.

Wanna know more? Keep on readin’!

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Say What? Tips for writing (hopefully) good dialogue

Originally posted March 15, 2009.

All right, friends! So let’s do some more “how to write” kinds of things. Or rather (and hopefully), how to maybe write better. We’ve already discussed POV (point-of-view) and headhopping and why it might be important to stick to one POV at a time (that is, one POV per book/chapter/scene).

The thing about the craft of writing is that different elements tend to intertwine with each other. Today, we’ll be working with dialogue, and as you’ll see, effective dialogue relies, to an extent, on consistent, focused POV. Why? Think about it. If you’re consistent with one POV, then one character per book/chapter/scene is the focal point of a scene and a reader doesn’t have to worry about getting jerked into another character’s head in that same scene. If you’re headhopping (refer to Part 2 of POV above), then you have to keep a reader from getting confused during dialogue, which means you as a writer will probably have to resort to stilted, awkward dialogue constructions like constantly using names in dialogue, even if there are, say, only two people in the room.

Want to know more? Cool. Click on!

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Elements of Writing: Headhopping

Originally posted Oct. 8, 2008

Greetings, all. Thanks for stopping by. Let’s talk about another element of POV, shall we?

I tend to be a little ol’ skool in some ways in that when I write POV, I stick to one person’s POV (one person’s head) at a time. The reasons for doing this are that it keeps me as a writer focused, and it allows the reader to really bond with that one character, rather than getting jerked out of someone’s head and flung into someone else’s. When you do that–jump from one person’s thoughts to another person’s thoughts and back again in the same scene (sometimes the same paragraph/sentence)–it’s called “headhopping.”

So come on down and let’s have a chat about it, yeah?

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Elements of Writing: Point of View

Originally posted September 17, 2008

Hi, all. Thought I’d actually start doing some stuff related to writing over here. As you may know, I’m also an editor. I spent about 13 years in publishing–mostly academic, but I also did mainstream freelancing, which I’m doing all the time now. I edit for academic and mainstream presses as well as individual clients. So yeah, fiction AND nonfiction.

So let’s talk a bit about fiction writing and point o’ view (POV).

Wanna know more? Click and go!

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