Can you relate?

I might officially be an anachronism.

I’m still using a flip phone, and I don’t use it to access the web. I actually dial people’s numbers and TALK to them. Oh, sure, I’ll text as well and send a few photos. But I mostly use it to TALK.

I’m Gen X, which means I’m an immigrant to the digital world. I grew up without the interwebs, without voicemail (or answering machines), without cable, without cell phones, and without DVDs. VHS came along in the late 70s/early 80s, but most of us saw movies at the theater when they were released. (Oh, want more info about how primitive and weird things were for my generation? Here.)

I spent most of my summers outdoors with friends, or we got together at each other’s houses. We’d call each other on landlines and if nobody answered, we figured he or she was busy and we’d call back later. Or, if they did have answering machines, we’d leave a message. Eventually, we’d catch up with each other. No big deal if it took a few hours. Or a day or two. We all had other things to do. We’d meet up at various hangouts and get caught up on rumors, gossip, and plans for the upcoming days.

Point being, we TALKED. Face-to-face and on the phone.

That, I think, is becoming a lost art.

Want more? Keep reading…

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Writing news n’ stuff

Hi, folks–

Some cool stuff I ran across. For those who are not in the know, there’s a new professional organization out there for indie authors. The Alliance of Independent Authors can be checked out HERE.

Jane Friedman, guru of many things publishing, is one of the advisors, as is Mark Coker of Smashwords, Joanna Penn of Creative Penn, and Victoria Strauss of Science Fiction Writers of America.

Jane offers a video discussion about publishing, self-publishing, marketing, and groovy things like that at this link.

I’m a fan of professional organizations, because they offer networking venues, workshops, advice, and other benefits (some writers’ organizations can offer health insurance). So if you’re an indie author who’s looking to benefit professionally, the Alliance of Independent Authors might be for you.

Having trouble keeping with the writing? There’s an app for that. Write or Die is designed to encourage you to keep writing. Download the app and start typing in the box provided. There are 3 settings. The gentle mode provides a kind reminder to keep writing if you’ve stopped and haven’t written after a few seconds. It’s a pop-up box. The second, or “normal” mode, emits an icky sound if you’ve stopped writing that doesn’t stop until you start tapping away again. And the “kamikaze” mode starts erasing what you’ve typed after a few seconds. Whichever mode you choose, the app will dole out “prods” until you’ve met your word count and/or time goal.

Whew. Scary. Anyhoo, I’ve also posted a teaser from book 3 in my space opera series, the Far Seek Chronicles. You can check that out RIGHT HERE.

All rightie. Hope everybody’s having a great week!

Happy writing, happy reading!

Things writers should NOT do, part 2

Hi, kids!

So this whole writing thing can bring you down. It can stress you out, maybe make you say stupid things and do even stupider things.

Yes, a lot of this should be obvious. But to some, maybe not.

I blogged about that HERE, with regard to responding to a bad review (hint: DON’T).

And here’s another example of unprofessional and rude behavior. In this case, an author took offense at a forum administrator’s moving of his thread to a more appropriate section of the forum. That forum was the “small press/self-published” thread. The author had a very public meltdown on the forum, then took the nasties to Twitter, where he continued his insults. Read the comments on that blog that documented his behavior/meltdown, because many of those commenters note more of this author’s claims.

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Who ARE you?

Hi, kids–

Way bizzy at the ol’ workfest this week. Hope everybody’s doing well and that things are groovy.

So who exactly are you online? I ask because, as some of you know, Google revised its privacy policies recently and there was the hoop-dee-do about what Google knows about you, which made everybody wonder what all Facebook knows about you and that then should lead us to think about what corporations know about us (for marketing purposes) and on like that.

After Google came up with its new privacy policies you had to go through some hoops to make adjustments and…hell, I can’t remember what all was involved. The thing that struck me, however, while I was going through all those hoops was the profile that Google had come up with about me (because Google likes to tailor ads to its Gmail users).

According to Google, I’m a guy between 18-25, based on my “interests” and keyword mentions and whatever other formulas it runs on people so it can pimp various products to them.

Well, Google’s wrong about me on both accounts. But that’s okay. I like not fitting algorithms and expectations. It’s not something I try to do. That’s just how I am.

All of this made me think, again, about all of the people out there online, interacting with each other, revealing certain things about themselves, hiding others. Even creating entire identities. And who knows what they’ll do with the information you provide? Corporations have marketing profiles on you. Some of your social networking “friends” may not be who they say they are. And everything you put online is there forever.

Kinda creepy, don’t you think?

So there’s a reminder for you. Be careful out there.

Breast Regards

I actually wrote “breast regards” in an email the other day and I almost sent it until I caught it. I had a good laugh about that. Kind of a weird Freudian slip. Or maybe not.

I’ll be walking in a fundraiser for a breast cancer foundation pretty soon that helps provide mammograms to women (and men) who can’t afford them. I’m a huge believer in mammograms as a screening tool, so I raised some money for this organization.

I was diagnosed last November with Ductal Carcinoma In Situ (DCIS), the most common form of non-invasive breast cancer (hence the reason I’ve had boobs on the brain).

I had no symptoms, no visible signs, no lumps. A mammogram picked up the problem, picked up that the cancer was in various places in my breast. So, I lost the breast. You can read a conversation between me and fellow author Anne Laughlin about our breast cancer diagnoses.

I was lucky. I was stage 0. The 6 or so lymph nodes the surgeon took had no evidence of cancer, and the margins (where my breast attached to my body) were clear. As a result, I didn’t need chemo or radiation. But I do carry a war wound across my left pectoral — a long, horizontal scar that slashed a new chronology into my life: before cancer, and after.

So I’m still a little raw, literally and figuratively. I’m still trying to figure out what this means, or whether it means anything at all beyond a healing wound on my chest and the prosthesis I wear during the day. I’m slowly getting used to the new topography of my physical self, slowly working on reconciling the before cancer days with the after cancer days, and savoring the many pieces of each day that before I might have missed.

And I’m looking forward to this walk, because for me, it’s become a metaphor: Taking steps. Steps toward something, like healing or some other personal goal, or taking steps for someone else who, for whatever reason, can’t.

Like the women and men who are battling this disease right now. I’m going to walk for them. And I’ve met survivors — a lot more since my own diagnosis, so I’ll walk for them, as well. I’ve also known women whose journeys came to an end because of breast cancer. I’ll walk for them, too, and for the friends and families of us all.

And I’m going to walk for myself, because I need the sense of moving beyond my diagnosis and my surgery, beyond the fear and the doubt and the anxiety and the long days spent waiting for test results, waiting on doctors, waiting on the phone, waiting for the next medical assessment.

Waiting isn’t moving.

Walking is.

So I’ll walk. For me, for you, for all of us, for all of them.

I’ll walk because I can, because I wake up every day now, and know that I can. And that is a precious, precious thing.

Happy Friday, all. Take care of yourselves and each other.

Driven to detraction

I was thinking today about how writing can be an exercise in beating your head against a wall sometimes. You think that you’ve come so far since your fledgling steps into the mysterious world of craft and wordage, and then you read something that completely blows your mind and you wonder why the heck you can’t write like that yet, though you’ve been doing all the things you need to do.

You attend workshops. Maybe you have a writers’ group. You’ve got a good editor who works with you and you send bits of your manuscripts to writers you suspect are better than you to provide feedback and guidance. You read writing guide books, you do exercises in infrastructure and narrative, you maybe see a sort of evolution in your own pages, you get all the feedback you can, you develop a self-editor, and you study structure.

And then you read something so mind-bogglingly lovely that it leaves you both wallowing in appreciation and feeling as if you just got kicked in the teeth.

A few months back I shared a bit of writing on a social media website that I thought was exquisitely rendered and I posted a comment about how I was going back to the drawing board, so that I could get better, and perhaps approach the level of writing that the piece I had shared demonstrated to me. Somebody else commented right after that in response to me (and I’m paraphrasing here) that no matter how hard I tried, I would never write the way the author of the piece I’d shared would, that I would basically never attain it.

That comment stuck first in my craw and then in the back of my mind. Writers are a sensitive lot, after all.

But I came to understand something in the wake of that comment. No, I will never write like the author of the piece I so admired, for the simple reason that I am someone else, with a different style and narrative voice. I can’t say whether I will attain the level of craftsmanship and wordsmithing that I thought this other author approached, because my view in this matter may be subjective, and some out there will most likely think this other author isn’t all that, anyway.

That’s the other thing I took away from that comment. Not everything I write will resonate with everyone (it obviously hasn’t with that commenter), but that’s okay. I’m not necessarily writing for everyone. I’m writing the stories in my head, as I see them, and I’m striving to tell them in the best possible way that I can, through the alchemy of craft and voice. I know craft can improve with practice and attention, and I know that in that journey, somewhere, is my writer’s voice. Where it takes me remains to be seen.

Happy Tuesday.

And for a supercalifragilistic blog on “voice” and finding it, click here.

Have an affair…with your muse

Hey, peeps–

I have a few things I do before I sit down and start writing. Not sure whether “ritual” is the right word, but it involves preparing my space, getting things in order, and creating a welcoming environment not only for me, but my muses. I was thinking about that and BAM came across this blog at The Write Practice about your relationship with your muse, and 7 reasons she might not be talking to you. Or, if your muse is male, why he isn’t talking to you. For ease, we’ll stick with a female muse.

Here are a few things that might make your muse cranky, according to the blog:

We refuse to work until she shows up.

We put demands on her, like a perfect first draft or we demand that she show up whenever we want her to, and we expect she’ll drop everything to accommodate us.

We dink around on other things on the computer or whatever during the time we’ve committed to her.

We don’t pay attention to her or note the ideas she gives us nor do we give her credit when we create something.

Basically, treat your muse the way you would treat someone special in your life. Why the heck would your muse want to hang out with you if you diss her and diss your writing by not making time or space for it?

The reality is, your muse is only as good as you make her feel. And if you don’t treat your writing like the gift it can be, you’re going to end up with a muse who doesn’t give a rat’s ass, either.

Think about that. If you create the time and space for your writing, and treat it as something more than just sitting around playing on the computer, you create the good ju-ju (for lack of something more scientific) for your creative process (note the number of times I used the word or root CREATE in that sentence).

So if you’re having a difficult time and the muse isn’t talking to you, maybe get her some metaphorical flowers and make a date night. And make that a habit. See if you don’t notice an improvement in your relationship.

Happy writing, happy reading!

The Hunger Games and other dystopian ruminations

Hey, kids–

Some of you may be sitting in line right now to get into the next showing of the movie The Hunger Games. Some of you may have read the trilogy already, by Suzanne Collins.

Some of you may have been under a rock for the past…well, a while. Collins’ book The Hunger Games was first released in 2008, and started making a lot of buzz in YA circles, though it’s found a much larger audience with whom its themes resonate.
Want to know more about why that might be and what that’s about? Read on!

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Outside. Now.

Hey, folks–

Hope the week is treating you fab-ly.

I came across this article in HuffPo and it totally upset me. The story is about how references to nature are declining in children’s books, and that does not bode well for generations of kids who are increasingly isolated from the natural world, not only physically, but now intellectually as even their books don’t reference interaction with nature.

Quote, from the article:

[according to a study] Initially, natural and built environments were equally represented, but beginning in the 1960s, depictions of natural settings began a steady decline. By 2008, images of human-made environments showed up in books twice as often as those depicting nature scenes.

The study’s authors attribute the decline to the increasing isolation of children from the natural world. “These findings suggest that today’s generation of children are not being socialized, at least through this source, toward an understanding and appreciation of the natural world and the place of humans within it,” noted the authors.
[source: “Children’s Books Lack Nature References, Study Suggests”]

The article also raises a question about whether kids like nature subjects, but maybe aren’t into books about nature that are heavy-hitting in terms of environmental messages. It’s something to think about, but I think the most troubling aspect of this piece, and the study, is that we as a species are becoming more and more isolated from the outdoors, and this has profound ramifications for our physical, spiritual, and emotional health. Here, from the Harvard Health Letter, are some reasons that this is true. The Guardian notes that the outdoors (even a view of it) can help patients heal faster, and this source (maybe kind of woo-woo) notes it, too.

I know that being outside has helped me in terms of health and well-being — even if that’s just a placebo effect, I always feel better after playing outside, so I’ll take it.

So if you’re parents, maybe hook your kids up with classic books that feature outside settings like, say, the Little House on the Prairie books, or Treasure Island . Heck, even the Hardy Boys and Nancy Drew books are good options. And get your kids OUTSIDE. Take them on bug-hunting trips to the park or open space. Go for drives to rural areas and national parks and forests. Get them involved in outdoor programs, so that they learn how interconnected we all are to not only our built environments, but the natural. We need more stewards of the land, friends.

So go play outside!

Happy reading, happy writing, happy camping!