When indie publishing really freaking works

Hey, peeps!

Caught this article in the Wall Street Journal about author Hugh Howey and his runaway hit, Wool. It’s a postapocalyptic thriller that has sold more than half a million copies and generated over 4,000 reviews on Amazon.


Source: Amazon.com, re-sized here

Read that article at the WSJ. Howey worked his ass off to write Wool (it started as a short story, but caught on), and he approached publishing with an eye to promo and working hard to generate an audience. To that end, he turned down several publishing offers from major houses so he could retain his ebook rights (he’s made over a million bucks off Wool). What all did he do? Well, here:

Mr. Howey comes across as a charming, self-deprecating goofball (he posted a video of himself doing ballet on his lawn on YouTube after he signed his publishing deal), but he’s proven to be a savage negotiator and slick marketer. He sent free copies of “Wool” to book bloggers and reviewers at Goodreads, a social-media site for avid readers. Early raves prompted more people to try the book, and the reviews snowballed. “Wool” now has more than 12,500 ratings and around 2,200 reviews on Goodreads. He hosted an “Ask Me Anything” session on the popular website Reddit, fielding users’ questions for more than 12 hours. He encouraged fan art and fan fiction set in the “Wool” universe; his readers have designed book covers and written their own novella-length takes on the story. He conscripted 30 of his most ardent fans to be “beta” readers who edit early drafts of his books for free.
Source: “Sci-Fi’s Underground Hit: Authors are snubbing publishers and insisting on keeping e-book rights. How one novelist made more than $1 million before his book hit stores, Alexandra Alter, Wall Street Journal (March 7, 2013)

Did you read that paragraph? He used Reddit, Goodreads, and encouraged fan fiction and fan art. And he enlisted 30 of his most ardent fans to serve as beta readers of his drafts. And he turned down giant deals from traditional houses until he got the one he wanted.

I brought this article up to you, dear readers, to demonstrate how much publishing has changed even in the past 3-4 years. Savvy indie authors are writing really good books and generating fan appeal and then, if they’ve got Howey’s chops, they’re incorporating their fan bases into their writing processes and promotion, as active participants. And I think it’s important to note how Howey took charge of his writing life, and held out for the deal that worked best for him.

Not to suggest that what happened to Howey is going to happen to every indie author out there. It won’t. That’s the hard truth of writing. Howey wrote a book with a theme that is super-hot right now. It’s fortunate that he loves science fiction and has been reading it since he was a kid. The WSJ notes that the entertainment industry was looking for another “high-concept dystopian” (and/or postapocalyptic) hit like Suzanne CollinsHunger Games. So Howey wrote a great postapocalyptic story and slowly built a fan base by releasing it in installments and working the social media sites. It took off. Kudos to him for how he approached indie publishing, and for what’s happened to him.

That said, the lesson here for all of us who do indie publishing exclusively or non-exclusively is to treat it like a job. Be professional. Put out professional work that is professionally edited. Give it a professional-looking cover. Interact with your fans (both extant and potential), and be willing to lose lots of sleep to constantly promote your work and build that fan base. It’s a win-win. You get to write stuff you love, readers get to read stuff they love. So give them a good product.

And don’t just take any deal that comes down the pike. Think about not just short-term, but long-term as well. Good luck!

Happy reading, happy writing!

Cool links

Hiya, peeps!

When I find interesting-ness on the intertubes, I like to pass it along to you, to do with as you please.

First, author and awesome savant Chuck Wendig often re-posts things from his blog “Terrible Minds.” This one is one of my faves, “Ode to the Editor.” Read it HERE.

Remember the other day I blogged on the importance of editors and those urban fantasy books I was reading? And how I said I would definitely not read further in one series, but would in the other? Well, I’m reading the second in the series I enjoyed, but once again, the editor made a boo-boo. In the first of that series, the word “allusion” rather than “illusion” appeared. In this one, the word “allude” rather than “elude” appeared. Grammar monster will explain the difference here. Even though I’m 200 pages past it, it still bugs me. And sadly, I know what page it’s on. Sigh. The editor-ness in me sometimes is SUCH a burden. 😀

Anyway. Here’s another cool thing I found today. Jennifer Niven writes on women spies at HuffPo in the 20th century. Super-cool, and if you’re looking for some inspiration or ideas for an espionage novel/thriller, this piece might offer you some.

Oh, and James Blaylock, one of the dudes integral in the establishment of steampunk as a genre, tells us how that came about in his piece at HuffPo, “On Steampunk.”

I’m currently reading Phoenix Rising (by Pip Ballantine and Tee Morris), the first in the Ministry of Peculiar Occurrences series. Fun stuff, great characters. If you haven’t read much steampunk, I also recommend Cherie Priest‘s work.

Heh. And the January 15 Bloggess entry, about the Eye of Sauron. [NOTE: if you have issues with ladyparts words, don’t click that link.]

And finally, this cool song, “All of Me,” by the Brooklyn duo Tanlines. They remind me of my Erasure days in the 80s, when I wore pegged jeans, Docs, and retro bowling shirts. Oh, wait…

Anyway, this vid has an 80s cold war feel to it, too. Love the juxtaposition of the bippy tune and the grim interior of that bar/club.


direct link

All rightie! Happy reading, happy writing, and put your music on and DANCE!

Writer’s Digest interview with Patricia Cornwell

Hey, peeps!

If you’re a US writer (heck, a writer anywhere!) and not a subscriber to Writer’s Digest, try it. At least for a year to see how you like it. And if you’re a reader but not necessarily a writer, there are some FAB interviews with authors in WD.

For example! The October 2012 issue of Writer’s Digest has this super-cool interview with international supah-star crime writer Patricia Cornwell, by Jessica Strawser. As those of you who are familiar with Cornwell are aware, her premier character is medical examiner Dr. Kay Scarpetta.

If you’re not a subscriber, find someone who is so you can read it or buy the issue. It’s available in print, but it’s not available to non-subscribers online. If you purchase the digital issue online, I believe it gives you access to online content relevant to that issue not available in the print. Like the extended version of the interview, in which Cornwell briefly discusses gay characters and mainstream fiction in the online outtakes.

I’ve been reading Cornwell off and on since Postmortem (1990) was released, and I’ve followed her career peripherally. One of the things that I really appreciate about her books is the extensive research she does for each one. It shows. And for crime writing, that is, I think, ultra-important.

In the interview, she discusses her writing process, the boundaries she keeps, and how she approaches writing and forensics. One of the things I appreciated about the intro to the interview is the matter-of-fact way her marriage to psychiatrist Staci Ann Gruber is treated. It’s mentioned, and. . .that’s it. No OMG THE GAY CRIME WRITER freakout. A mention of her marriage to her, and on to a couple other pertinent details about her successful defamation suit against a writer who accused her of plagiarism then waged an online war against her character.

So let’s have some more tidbits from the interview!

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More processing

I was reading the latest issue of Writer’s Digest (I highly recommend you try a subscription to this mag — it usually contains good writing and promo tips for authors plus interviews with authors) and came across an interview with Andre Dubus III, who wrote The House of Sand and Fog (among many others). The film based on that book was an Oscar nominee. The book itself was a finalist for the National Book Award.

Dubus is a larger-than-life kinda guy. Boston brawler born, who looks like the literary love child of John Mellencamp and Kurt Russell (that’s Zachary Petit’s description and I agree), he’s comfortable sharing a laugh and a pint as well as writing these intensely dark and poignant stories that leave us wrung out, alone, and wondering where the good is in being human. He taps the deep and lives his truth, which may be why his writing resonates with so many.

How does he do it? I like to find out about other writers’ processes. That is, the actual mechanical things they do to prepare for a writing session. Here’s Dubus’ process, from the article in Writer’s Digest:

“Andre Dubus III is both artist and businessman. It’s methodical: Every morning, Dubus wakes up and takes his kids to school (he lives in Massachusetts with his wife, who is a professional dancer, and two of his three children). He returns home. It’s empty of everyone except the dog. He takes a cup of black dark roast coffee down to the basement, where he’s built a 5-by-11 sound-proofed room. He sits at a desk in front of a blank wall, types the previous day’s longhand writing into the computer, then turns the machine off. He sharpens a pencil with a knife, reads three or four poems — for ‘the high bar of language that poets always give us prose writers’ — and then stares at the page.

‘I try to put myself in a state of openness and receptivity and not try to say anything and not think it, but dream it. And then I pick up where I left off.’

He writes for two to three hours, goes to the gym to clear his head (he still works out ‘like a demon’), and that’s it.

When it comes to creating a piece of writing, Dubus believes the story has to percolate in our mind — and that you shouldn’t write it too early.

‘There’s a profound difference between making something up and imagining it,’ he says. ‘Imagining it instead is falling into your psyche, your imagination, and finding some aspiring writer asks him a career question, he says he gets uncomfortable — he’s happy to help, but wants to know if the person has done the real work first: painstakingly crafted the words.”
From “Meet the Real Andre Dubus III,” by Zachary Petit (Writer’s Digest, July/August 2012), p. 43.

The interview itself is not available on the Writer’s Digest site unless you’re a subscriber (it’s in the print version, though), but you can get some of Dubus’ other words of wisdom from the site HERE.

So, writers. What’s your process? Does it seem to work? Would you change it if you thought it would open new windows for you? Just curious.

Happy Sunday.

Groovy Writing Links!

Hi, kids–

Got some groovy linkage here you might find useful for your writing and publishing selves.

Keith Cronin tells us: DARE TO SUCK! Great advice, because all writers (at least all the ones I know) go through a phase where everything they write or try to write feels like it’s no better than drunken monkey poo thrown liberally across greasy burger wrappers. That’s okay! Write it anyway! Or skip the scene that’s giving you nervous hives and write another one. The important thing is to keep writing, because you need that momentum (and if you want to find out more about Keith, click here).

Lydia Sharp says: It’s okay to watch movies and TV shows! Cuz you can learn cool things that translate into fiction writing! I agree. Catch her post about 5 ways novelists can benefit from doing that. And find more Lydia here.

Meg Wolitzer at the New York Times gives us some food for thought about the state of women’s fiction and women writing fiction. Go see. And find out more about Meg Wolitzer here.

The problem of knock-off ebooks at Amazon (that is, copy-cat books based on legitimate titles that Amazon posts). Check the comment thread, too, on that one. I guess my question on that one would be: If you know the title and author of the book you want, why would you buy a knock-off with a slightly different title/author? Hmmm.

And Stevie Carroll has a discussion about female friendships in fiction going over at Women and Words. Readers, you might want to check that out and offer suggestions to Stevie and others about books that have female friendships. Find Stevie at her LiveJournal here.

All right, friends. Happy reading, happy writing, and happy Tuesday! And please do feel free to provide links you think will benefit us here in The Situation Room in the comments. Cheers!

Cool issue of Writer’s Digest

Hey, peeps!

Hope your week is treating you well. Mine’s outta hand, but no worries.

So I finally got around to reading the May/June 2012 issue of Writer’s Digest. Writers, if you buy one issue of this magazine this year, make it this one.

There’s a big ol’ piece called “The New Era of Publishing: Making It Work for You” by literary agent April Eberhardt. It’s a good primer for coming to grips with how publishing is changing, and what that means for you in terms of finding the right model for how you want to proceed as an author, regardless of where you are in your writing career.

There’s also an article by e-publishing guru Jane Friedman, called “The Basics of DIY E-Book Publishing,” which is another crash course in that subject, with Jane’s easy-to-understand info and tips. You can find her HERE, too, for more awesome-ness from her guru-ness. (No, SRSLY. Jane Friedman is considered an authority in e-publishing. She’s currently a professor in e-media at the U of Cincinnati and a former editor of Writer’s Digest.)

The next piece is called “Today’s Best Strategies for Savvy Self-Publishers,” by Joel Friedlander, author of a book on self-publishing and an award-winning book designer. Go see.

And one of my personal faves, WD’s best websites for writers. This is their 14th annual “101 Best,” broken down by category like “Creativity,” “Everything Agents,” “Online Writing Communities,” “Jobs & Markets,” and “Publishing Resources.” A couple that readers here might find intriguing include WOW! Women on Writing, an ezine that supports women through every step of the process. Go here. The current issue is about the art of storytelling. Novel Rocket offers tons of interviews and advice from published authors and literary agents. Grammar Girl (she is freaking supercalifragilisticexpealidocious) takes on grammatical quandaries that authors of all levels deal with. Check it out. And one more, to whet your whistle — Coalition of Independent Authors, a group of self-published writers who created the Coalition to gain exposure for their work.

That is just a taste of the 101 entirely useful sites in this list. The catch? You have to actually purchase the print copy of this mag, as these groovy tips are not available at the website. However, there are lots of cool things on the site for writers in terms of tips, writing prompts, exercises, and workshops to consider. So even if you opt not to subscribe or buy this issue, the Writer’s Digest site offers some good info for all kinds of writers.

Happy writing, happy reading!

Music soothes the savage beast

Hi, all–

Hope the weekend treated you well. I wanted to talk about music, because I’m a huge music fan, and I listen across genres and time periods. And yes, I do play a couple of instruments, but I’m way out of practice; I’ve also been a radio DJ and a sometime dance DJ. Anyway, music is one of those things that, as a writer, sets the mood for things that I’m working on. Plus, there’s a soundtrack to your life, no matter what generation you are. There are certain songs and certain genres that can instantly take you back to parts of your past and you’re right there, remembering something that happened like it was freakin’ yesterday. Like smells, music triggers memories, both bittersweet and good.

With that in mind, I thought I’d share this great piece from a recent issue of Rolling Stone Magazine. I’ve been a subscriber to RS for…oh, geez. Too long to talk about without tipping my age. 😀 A while, now.

Anyway, RS does these “playlist” features (and sometimes whole issues) that features various artists who list a few of their fave songs/artists in a particular genre. This recent piece featured Mick Jagger listing his fave reggae tunes; Norah Jones and her Neil Young playlist; John Mellencamp on protest songs; Dave Guetta on dance-floor classics; Adam Levine of Maroon 5 and his fave Stevie Wonder tunes; Merle Haggard and the songs he wish he’d written; Lou Reed on jukebox awesome-ness; Tom Petty on his fave Elvis tunes; Miranda Lambert’s fave revenge songs; Patti Scialfa and girl groups; Billy Gibbs and his fave blues guitar tunes; Cee-Lo on southern hip-hop…basically, a seriously super groovy funkalicious major-ass playlist that will open your brain, dredge up some memories, and maybe even introduce you to some folks and songs you didn’t realize were out there.

I had a blast looking these up on YouTube (easier than doing the iPod thing in this case) and remembering the first time I’d ever heard these tunes. Almost all of the songs you can find easily, and, if you’re like me, you’ll go dig some of your old albums/CDs out, turn on the ol’ stereo (“SHUT UP! You still have one of those???” Um, yes. I do.), sit back with a tumbler of Jack Daniel’s and your beat-up guitar that you haven’t messed with in a while, and have yourself a solitary jam session.

So here you go. The link to the awesome-sauce playlist in the recent issue of RS.

Rock on, peeps.

Tips on writing stronger characters

Hi, all–

Usually on Sundays I provide some reading material or share with you a title of an article or book I’m reading. But since I am a writer, I also like to share tips for those of you who, for whatever reason, thought being a writer was a good idea. Welcome to my circus! I thought it was a good idea, too! LOL

Anyway, since we’re on this journey together, here are a couple of articles from Writer’s Digest that might help you create stronger, more nuanced characters. Plus, there’s another link to a blog that fellow writer Clifford Henderson did on it. And readers, if you ever read something and the writer makes it look easy, I hope you can appreciate the amount of work that went into that tract. Because it’s when everything’s working properly and smoothly that you know it’s the best kind of writing. Most writers work hard to achieve that — I don’t know if I have, yet, but dang it, I keep trying.

Want some more?

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Quickie Writer Tip!

Hi, all!

As an editor, I see a ton of manuscripts, mostly fiction these days. The fun of editing a new author is watching them develop their own style within the framework of writing.

One of the things that many of the beginners I work with is that they have a problem ending chapters effectively.

I have two suggestions: 1) keep your chapters about the same length, which forces you to really think about scenes and pacing and 2) make sure your characters’ business is finished in that chapter before you break for a new one. That is, you want your reader to feel satisfied, as if something was happened and reasonably resolved or at least reasonably explained before sending them to a new chapter.

Aaron Elkins has a good piece over at Writer’s Digest to help you with “chaptering.”

Here’s the link!

Happy writing!

Sunday readin’ and ruminatin’ tip

Hi, folks–

As some of you know, I already suggested unplugging yourself from technology (read that here) and yes, I am fully aware of the irony of me telling you these things while I’m online writing this blog. 8)

I do think, though, that it’s important to get away from all the crap that’s online these day. Sock puppets, trolls, freaks, assorted conspiracies, rampant unhealthy consumerism…it’s not good for us as individuals or societies. Currently, there’s a troll-fest going on over on one of the Facebook pages I “liked” and I can’t help but wonder whether the asshats who are trolling would say the things to people in real life that they’re posting online.

In some ways, I think not, but even saying these things online tells me something about the kinds of people they are. And these are some vile, hateful things that these trolls/sock puppets are saying. If they are, in fact, the types of people who would say those things to someone’s face as well as online, then clearly they are not the kinds of people we need in our lives. Healthy, happy people don’t feel the need to say the kinds of things these people are saying, whether online or in real life. And if we are to maintain a healthy, happy outlook, then we need to remind ourselves that words do have power, and everything we say is a reflection of who we are as people, whether in real life or online.

Which brings me to author Richard Louv. Read on to find out why I recommend you read this guy.

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