The power of a good story

Hiya, peeps!

I saw The Hunger Games: Catching Fire Thursday night. Technically Friday was opening day, but anymore, you can catch premieres the night before and that’s what I did. I had the idea that if I went to a later show on a Thursday, I might be able to avoid the crowds of ‘tweens and teens.

Source

You can laugh now.

So I saw this movie in a theater full of ‘tweens and teens, many in large groups (i.e. they came together in groups). Stuffed with ’em. and I think I was probably the oldest person in there (shut up) and the only person who had come alone. And, as expected, before anything got started, everybody was yakking and texting and Facebooking and whatever the hell else people do these days because god forbid you actually stop using your smartphone for a few seconds (don’t get me started) and engage with the people SITTING RIGHT NEXT TO YOU.

They continued to talk (albeit more quietly) during the previews, which were geared toward this Hunger Games crowd. Young, hip, beautiful people in movies like the forthcoming Vampire Academy (okay, so I want to see it and yes, it’s based on a book) and what looks like a cool dystopic take on Frankenstein.

And then the movie began. I was kind of dreading it at this point, because I was young, once, and I remember being an asshat every now and again at the movies, so I braced myself to try to ignore whatever asshattery would erupt from the surrounding crowd of moviegoers in which the average age was probably fifteen.

Surprise, surprise. Every single person in that theater was thoroughly engaged by this movie. We laughed at the humor, exclaimed at the things that were awful to watch, and at the end we applauded. All those ‘tweens and teens then set to work talking to each other about the movie and the book on which it was based. And, I’m sure, texting all their friends to tell them to totally see the movie.

And it got me thinking about stories.

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Edge of Rebellion available on Kindle

Hi, peeps!

If you’re a Kindle type, you can get a copy of The Edge of Rebellion as we speak.

CLICK HERE.

More venues to come (I’ll keep you posted!) and there will be print copies available at the upcoming GCLS conference if you’re going and print’s your thing.

edgeofrebellion-cover

Synopsis:
Commander Kai Tinsdale knows something’s afoot when she receives orders to post to the military base Koto on the virtually impassable jungle planet Hanzey. Rumors of rebellion against the Coalition are spreading across the quadrants, and the threat of war makes Kai all the more suspicious about her assignment. What does Major Tinniset Vic, the ranking officer at Koto, want with Kai? How might the decade-old destruction of a Hanzien city pertain to Kai’s new posting?

The only person she trusts, former Academy bunkmate turned trader Torri Rendego, is running merchant routes in other quadrants and may be facing her own problems in the growing rebellion. So Kai must play the hand she’s dealt in a high-stakes game of intrigue and revenge where Major Vic holds all the cards and where a gamble could unleash a war all its own on Hanzey.

EXCERPT! and a review, if you’re interested.

Happy reading (hopefully), and happy writing. Oh, and happy Thursday!

Space banditry rules!

Hi, peeps.

I love space banditry.

And I love space opera.

That’s why I’m writing one, and that’s also why today I am pretty stoked that the third installment of my sci fi series, the Far Seek Chronicles, is going to the printer next week. The Edge of Rebellion should be ready for mass consumption the end of this month.
edgeofrebellion-cover
Cover art by Mina Yamashita

Synopsis:
Commander Kai Tinsdale knows something’s afoot when she receives orders to post to the military base Koto on the virtually impassable jungle planet Hanzey. Rumors of rebellion against the Coalition are spreading across the quadrants, and the threat of war makes Kai all the more suspicious about her assignment. What does Major Tinniset Vic, the ranking officer at Koto, want with Kai? How might the decade-old destruction of a Hanzien city pertain to Kai’s new posting?

The only person she trusts, former Academy bunkmate turned trader Torri Rendego, is running merchant routes in other quadrants and may be facing her own problems in the growing rebellion. So Kai must play the hand she’s dealt in a high-stakes game of intrigue and revenge where Major Vic holds all the cards and where a gamble could unleash a war all its own on Hanzey.

The Chronicles are a space opera with an ol’ skool pulp fiction kinda thing going on — that is, the books are shortish novels that are clearly serialized. Each installment generally picks up where the previous installment left off. Certain themes and plots carry through, and I stick with some core characters but introduce a few others who show up in later installments. So if you dig that kind of thing, check back around the end of the month. Hopefully, I’ll get sales links and info that I can post by then.

In the meantime, here’s an Edge of Rebellion excerpt.

And if you’re interested, a review.

Happy Friday!

Dude, WTF are those women doing on those covers?

Hi, all–

About 10 days ago I blogged about sexism in sci fi (and we can extend that to publishing and writing in general, sadly).

If you have not read it, please read Kameron Hurley’s awesome piece on writing women into fiction, and ways not to do that.

Here, I want to talk a little bit more about that and then bring your attention to cover art as one of the layers (author Jim Hines’ term) in the giant reeking onion that is sexism. More on that below. First, I want to call your attention to a particular blog post…

Join me for more…

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Dude, where are the women in science fiction?

Hi, all.

Whew. Sorry about the delay; I’ve been crazy busy. I finished up the edits for the third in my sci fi series, The Edge of Rebellion. Cover coming soon as well as an excerpt. I’ll post them here and on my main site don’tcha know, so stay tuned.

I’m also sending the fourth in my New Mexico series, Day of the Dead, in for edits. We’re hoping to have that out by the end of the year. WOOOO! Stay tuned for a cover and excerpt from that, too.

Thanks again, everybody, for stopping by during the (blog) Hop Against Homophobia and Transphobia. Much appreciated. I discovered some new authors, so I’m pretty stoked. Plus it was just really great to build a bit of community.

Anyway, I wanted to bring your attention to sci fi writer Kameron Hurley. By all means, read her work, but also, for the love of goddesses, read her blogs, too, because she is on point when it comes to dealing with how women are represented in fiction and science fiction. I just recently found out about what appears to be some major sexism at the Science Fiction Writers of America (SFWA) not only through Hurley, but also through E. Catherine Tobler.

Keep reading…

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What the X-Files taught me about series

Hey, Happy Thanksgiving to those of you who engage in this American holiday.

I’m not really big on the holidays (as in Thanksgiving-Christmas), as some of you know, but I do enjoy the bit of time off I can take to catch up on my chillaxin’.

So I took yesterday off and basically freebased over half of Season 1 of the X-Files. I’m up to episode 15 (there are 24). It’s been years since I’ve watched the series, and though the costumes, hairstyles (and shut up, but I’m trying to bring back Mulder’s look), cars, and technology are dated (season 1 premiered in 1993), the writing and characters remain strong. Not every episode, mind you. There were some episodes that just didn’t work (like this one; sorry Chris Carter. Just. . .no.), but for the most part, it remains a strong show with episodes that still creep me out.

source (re-sized here)

Basically, if you want to write a series — any series — and keep it going for a long time, use the X-Files as a potential model. Not in terms of what actually the show is about, but rather how its infrastructure is put together.

Continue on for my ode to the X-Files. . .

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If at first you don’t secede: world-building

Hi, peeps–

A friend of mine sent me a link recently from a…ah…shall we say, more “conservative” website in which there was talk about certain southern states seceding from the U.S. I won’t mention the site or the states. Suffice it to say that if you play on TEH GOOGLE for any amount of time with the word “secession,” you’ll no doubt run across many sites whose visitors spend lots of time grumbling about such.

I don’t want to talk about the historical or political origins of such an argument, nor do I want to get into the larger anti-everything that isn’t conservative context in which such an argument percolates. Instead, let’s look at it through sort of a post-apocalyptic lens. Like, say, The Walking Dead. Also, when I bump into talk of secession, I invariably think of world-building in, say speculative fiction.


source

WTF do I mean? Read on…

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Urban Fantasy

Hey, kids–

I’m always encouraging people to read outside their comfort zones and to read across genres. That’s something I do all the time. I have some genres that I enjoy more than others, but for the most part, I’m all over the map. Reading widely and reading often makes us better readers and, for those of us who write, better writers. Why? Because reading widely exposes us to new ways of expressing ourselves, and different stylistic elements that we can analyze and think about and perhaps incorporate into our own writing infrastructures. As readers, we get a feeling for the different formulas for different genres, and we can become better gauges of what works in a genre and what doesn’t.

Along those lines, I suggested over at Women and Words a couple weeks ago that readers try out some steampunk. So here, I’m going to suggest you try out what’s called “urban fantasy.”

You’re already aware of that genre, though you may not know that it’s sometimes referred to in that terminology. Basically, “urban fantasy” is set in a contemporary “real world” setting, usually “urban” (hence the name) with a main character who has some kind of paranormal or supernatural power and has to deal with those elements within the story. I found this over at Genteel Black Hole (cheers!), and I think she nails it:

To me, to class a book as being of this Fantasy subgenre, it needs to contain the following ingredients: contemporary setting, set in the real-world and with a real sense of place, city-based, with a male or female lead who has supernatural powers and uses them to kick ass and help people, detective/crime plot, humour, and set in a slightly alternative ‘now’ as humans are usually aware or becoming aware of the existence of certain supernatural beings. These beings include, but are not limited to: vampires (new and old mythology), were-creatures (from wolves to coyotes), wizards/witches, and the fae.

This definition is subject to change, but authors whose series/titles currently fall in this category include: Jim Butcher (The Dresden Files), Patricia Briggs (Mercy Thompson), Chloe Neill (Chicagoland Vampires), Kim Harrison (The Hollows/ Rachel Morgan), Kelley Armstrong (Women of the Otherworld etc), Ilona Andrews (Kate Daniels), Neil Gaiman (Neverwhere), Karen Chance (Cassandra Palmer) and Rachel Caine (Weather Warden). Here’s a great place for more information.
source: Genteel Black Hole

GBH also sends us over to this, at Goodreads, which provides a list of urban fantasy titles from which to choose. GBH notes that there is some crossover between urban fantasy and paranormal romance (which is, yes, romance that involves characters with paranormal inclinations/supernatural powers), but there’s crossover in virtually every genre. And generally, if you prefer a paranormal romance to urban fantasy, the synopsis will probably let you know whether the drive behind the book is romance or, say, mystery or thriller or something along those lines.

Here, let me help if you’re still confused. Stephanie Meyer‘s stuff (Twilight) is considered urban fantasy in some circles. So, too, is Charlaine Harris’ Sookie Stackhouse. And Jim Butcher‘s paranormal mystery series is also considered urban fantasy.

And not all urban fantasy deals with vampires and werewolves (though those are popular characters in the genre). Jim Butcher’s work, for example, includes witches, ghosts, and demons. Gail Cerriger, I’d argue, melds elements of at least two genres to write paranormal steampunk.

So go on and check out those authors’ websites. If you’ve never read urban fantasy, give it a try. You might just like it.

Happy reading!

“A Matter of Blood” wins a Rainbow Award

Hi, kids!

I’m pleased and honored to announce that the second book in my space opera series, the Far Seek Chronicles, won a Rainbow Award.

That would be A Matter of Blood.

source: andimarquette.com and Bedazzled Ink

Here’s the link with the complete list of winners in every category.

Here on my site, you can read an excerpt from A Matter of Blood here.

And you can go here to see where you can purchase it, if you’re so inclined.

Wow. Feels good. Congrats as well to my fellow authors who also won Rainbow Awards, and to my fellow authors who received honorable mentions. Write on!